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Yours, KOW

Treuhand Intern, 2019

mixed media

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Henrike Naumann

EINSTÜRZENDE REICHSBAUTEN, 2021
Evolution Chemnitz, 2020
DIE MONOTONIE DES YEAH, YEAH, YEAH, 2020
Ruinenwert, 2019
Treuhand Intern, 2019
Mensch. Natur. Twipsy., 2019
Comme des Kinois, 2019
Tag X, 2019
Ostalgie, 2019
DDR Noir, 2018
14 words, 2018
Anschluss '90, 2018
Eurotique, 2018
2000, 2018
Das Reich, 2017
Aufbau West, 2017
NEW BEAT - THIS IS CONGO!, 2017
Buche Chrom, 2017
Remember the Moment, 2016
Intercouture, 2016
Gabber Nation - Fryslân, 2016
Böhse, 2016
Aufbau Ost, 2016
The Museum of Trance, 2015
Thug Life, 2015
Traces, 2015
Jugendzimmer, 2015
Four Words, 2015
Desolation, 2014
Contemporary, 2014
Untitled, 2013
Open Group, 2013
Where were you in '92?, 2012-ongoing
Triangular Stories, 2012

Henrike Naumann was born 1984 in Zwickau (GDR). Growing up in Eastern Germany, Naumann experienced extreme-right ideology as a predominant youth culture in the 90s. Her work reflects on the history of the right-wing terrorism in Germany as well as on today‘s broad acceptance of racist ideas. She looks at the mechanisms of radicalization and how they are linked to personal experience and youth culture. Naumann explores the friction of contrary political opinion through the ambivalence of personal aesthetic taste. In her immersive installations she combines video and sound with scenographic spaces. In recent years she widened her focus to the global connectivity of youth cultures and the reversion of cultural othering. Notable exhibitions include solo shows at the Belvedere 21 in Vienna, Kunsthaus Dahlem in Berlin, Museum Abteiberg in Mönchengladbach and Galerie Wedding, Berlin, as well as participations at the Busan Biennale (2018), Riga Biennial (2018), Steirischer Herbst, Graz (2018), 4th Ghetto Biennale at Port-Au-Prince (2015), and the 3rd Herbstsalon at Maxim Gorki Theatre Berlin (2017).

Henrike Naumann lives and works in Berlin.



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