Hiwa K
This Lemon Tastes of Apple, Iraq, 2011

Heinrich Dunst - Loch, 2014

Performance at KOW on 30 Oct. 2014

Chto Delat
This Machine Kills Fascists, 2013

Learning Flags

Renzo Martens, White Cube, 2020

Row about Congolese statue loan escalates into legal battle over NFTs

Daniel Boffey for The Guardian Online about CATPC and Renzo Martens

Clegg & Guttmann, Follow the Rule, 2019

A Protestor's Dream

Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017

Simon Lehner, childhood room 1996 – 2020

Michael E. Smith, Hammerpants, 2010

CATPC and Renzo Martens to represent the Netherlands at Venice Biennale

The opportunity to now pair a white cube on a plantation with one at the summit of the art world allows for a direct look into these two worlds and into the inequalities between them. Meaningful and sincere reflections will be produced from these different, but related, realities coming together. Through this presentation, we will come to the final stage of our collective journey into truths that deserve to be shared.
Ced'art Tamasala

"Simultaneously nuanced and emotional, Hiwa K’s contemplative autonarrative approach leaves an enduring imprint, a vital archetype to resist amnesia in this era of information overload."

Shaunak Mahbubani, Artforum International, Critics' Picks

"The highlight is a video installation by the Congo-based art collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) who are developing a new template for how non-fungible tokens and blockchain technology can be used as potent tools for restitution claims."

Read about CATPC at Manchester International Festival in The Art Newspaper by Tom Seymour

Candice Breitz Whiteface

at Fotografiska Berlin SEP 14 – DEC 4

Untitled, 2019

Michael E. Smith