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Somebody Else's Car, 2005

Slide Projection

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In Somebody Else's Car, Öğüt transforms two found cars using readymade paper cut outs. Without requesting the owners' permission he clads the first all in yellow and with the final addition of a boxed sign on the roof, the car adopts its new identity as a standard Istanbul taxi. On the flanks of the second car he applies graphics and on the roof a blue, white and red emergency siren and again, with remarkable dexterity and finesse, the originally plain white car is transformed into a police car. Ogut accomplishes each makeover as if performing an act of vandalism and yet his actions result in no more damage than the owners confusion and likely amazement on returning to their vehicles.

In Somebody Else's Car, Öğüt transforms two found cars using readymade paper cut outs. Without requesting the owners' permission he clads the first all in yellow and with the final addition of a boxed sign on the roof, the car adopts its new identity as a standard Istanbul taxi. On the flanks of the second car he applies graphics and on the roof a blue, white and red emergency siren and again, with remarkable dexterity and finesse, the originally plain white car is transformed into a police car. Ogut accomplishes each makeover as if performing an act of vandalism and yet his actions result in no more damage than the owners confusion and likely amazement on returning to their vehicles.

Ahmet Öğüt, Somebody Else's Car, 2005, 2 Slide Projections, 20 part photo series
Ahmet Öğüt, Somebody Else's Car, 2005
Ahmet Öğüt, Somebody Else's Car, 2005
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Ahmet Öğüt

Ahmet Öğüt, born in 1981 in Diyarbakır, works across a variety of different media often picking up on an urban environment. With an eye for daily encounters and moments of improvisation his works address topics such as structural inequality, state suppression, censorship and forms of resistance. Singular acts of non alignment or collective struggles against militarized powers equally tend to inspire the aesthetic and thematic reflections that occur in Ahmet Öğüt's work just as the way he operates in the institutional ecology surrounding his practice. He had solo shows among others at Van Abbemuseum, Eindhoven (2015), Chisenhale Gallery, London (2015), Künstlerhaus Stuttgart (2012), Kunsthalle Lissabon (2011) and SALT Beyoglu, Istanbul (2011). He has participated in group shows such as the 11th Gwangju Biennale (2016), Manifesta 11 (2016), “Museum On/OFF” at Centre Pompidou, Paris (2016), the 13th Biennale de Lyon (2015), “Political Populism” at Kunsthalle Wien, the Kyiv Biennial (2015) and many more.



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