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Yours, KOW

Broken Windows, 2013-ongoing

Installation

Dierk Schmidt, Untitled, 2016, Oil, tape on glass (Diptychon), 50 x 33,3 x 0,4 cm each
Dierk Schmidt, Untitled (Claim, A-G), 2014/2016, Felt tip pen, black pigment on machined glass, steel pedestal, 201 x 37 x 37 cm | 79 1/4 x 14 1/2 x 14 1/2 in
Dierk Schmidt, Untitled (l'absence des objets), 2016, Oil, felt tip pen on machined glass, steel pedestal, 195 x 35 x 35 cm | 76 3/4 x 13 3/4 x 13 3/4 in
Dierk Schmidt, Untitled (l'absence des objets), 2016, Oil, felt tip pen on machined glass, steel pedestal, 195 x 35 x 35 cm | 76 3/4 x 13 3/4 x 13 3/4 in
Dierk Schmidt, Untitled (common vs. shared heritage), 2016, Felt tip pen on machined glass, steel pedestal, 186 x 32 x 32 cm | 73 1/4 x 12 2/3 x 12 2/3 in
Dierk Schmidt, Untitled, 2016, Oil, felt tip pen on glass, lacquer on MDF, steel pedestal, 186 x 32 x 32 cm | 73 1/4 x 12 2/3 x 12 2/3 in
Dierk Schmidt, Untitled (spontaneous fracturing due to internal stress), 2016, Oil, felt tip pen on glass, steel pedestal, 195 x 35 x 35 cm | 76 3/4 x 13 3/4 x 13 3/4 in
Dierk Schmidt, Broken Windows 6.3, 2016, felt tip pen on glass, steel pedestals, oil on glass, KOW, 2016, exhibition view
Dierk Schmidt, Broken Windows 6.3, 2016, felt tip pen on glass, steel pedestals, oil on glass, KOW, 2016, exhibition view
Dierk Schmidt, Broken Windows 6.3, 2016, felt tip pen on glass, steel pedestals, oil on glass, KOW, 2016, exhibition view
Dierk Schmidt, Broken Windows 3.1 (Modelle), 2014/2015, Machined Plexiglas, color copy on film, black pigment, felt tip pen, dimensions variable | dimensions variable
Dierk Schmidt, Broken Windows 3.1 (Modelle), 2014/2015, Machined Plexiglas, color copy on film, black pigment, felt tip pen, dimensions variable | dimensions variable
Dierk Schmidt, Broken Windows 3.1 (Modelle), 2014/2015, Machined Plexiglas, color copy on film, black pigment, felt tip pen, dimensions variable | dimensions variable
Broken Windows 3.0, 2014, Le Quartier, Centre D'Art Contemporain Quimper, 2014, exhibition view
Broken Windows 3.0, 2014, Le Quartier, Centre D'Art Contemporain Quimper, 2014, exhibition view
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25.3 x 15 cm | 10 x 6 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 8,5 cm | 9 3/4 x 3 1/3 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 25 x 12 cm | 9 3/4 x 4 3/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 35 x 12 x 0,4 cm | 13 3/4 x 4 3/4 x 1/4 in
Dierk Schmidt, Untitled, 2013, Broken Windows 2.0, Oil on acrylic glass, 35 x 12 x 0,4 cm | 13 3/4 x 4 3/4 x 1/4 in
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Dierk Schmidt

Dierk Schmidt, born in Unna, Germany, in 1965, studied art history and visual arts in Düsseldorf and Amsterdam. He takes on the genre of history painting to investigate politics of representation, critically redescribing the production of the historical past and present. Dierk Schmidt has repeatedly worked on issues of colonial history, on restitution politics, international law, and on abstraction in painting, a main project being “The Division Of The Earth“ for documenta 12 in 2007. His analytical approach makes use of painting’s conceptual methods, self-reflexive on the issue of painting and capable of rationalizing representational gaps.

Schmidt´s work has been displayd in major solo and group exhibitions such as Kolonnen (KOW Berlin 2020), Guilts and Debts (Museo Nacional Centro de Arte reina, Sofia 2018) and Under Construction (Hamburger Bahnhof - Museum für Gegenwart Berlin 2022), Painting and geopolitics (Galeria Elba Benitez, Madrid 2021), COMMUNICATING VESSELS (Museo Nacional Centro de Arte Reina Sofia, Madrid 2021).



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