"Duty Free Art" strikes deep into art’s social function. Free-trade zones, where speculative art commodities are bought and sold invisibly and tax free, are, like civil wars, an important backbone of the international art business. Both facilitate the redistribution of public property into private hands, and are catalysts of global inequality. Furthermore, Steyerl uses WikiLeaks documents to show how the Louvre, British Museum, and star architect Rem Koolhaas served the Syrian Assad regime as museum planners and gentrifiers. She describes all of this as the top-down organized production and communication conditions of contemporary art hidden behind the art itself. Steyerl proposes a reversal of perspective to unveil one’s own reality bottom-up.