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Dive into the Dark Dive Box, 2022

Installed is a circular, mirrored platform; a disco ball bathes the space in an atmospheric light. On the ceiling hangs a model of a guillotine — an instrument of capital punishment, reminiscent in its presentation of the electric chair in Andy Warhol’s silkscreen series. In this work, too, Boghiguian addresses the terror unleashed by ruling elites, the slaughter of political opponents, the competing of ideologies and ideas that goes hand in hand with violence. A text written by the artist and spoken by actors plays as a sound piece in the space. Marie Antoinette and Jean-Jacques Rousseau appear as protagonists, but so do the people in the mob who fought against hunger and domination.

Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, Dive into the Dark Dive Box, 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter

Mixed media installation
Installation views Kunsthaus Bregenz 2022
Fotos: Markus Tretter
Text: Kunsthaus Bregenz

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Anna Boghiguian

Anna Boghiguian was born in Cairo, Egypt, in 1946 and has Armenian roots. She studied political and social science at the American University of Cairo and holds a BFA in fine arts and music from the Concordia University in Montreal, Canada. Since the early 1970s, her art has emerged from various movements around the globe, translating a nomadic experience and gaze into painting and installation, collages and books. As a traveling artist, she tells of how people and ideas, relationships and goods vary and evolve, sometimes bright and fluid, sometimes bound in inequality and oppression. Boghiguian's broad insight into literature and worlds of thought makes her art a profound source of contemplation. In 2015 Boghiguian received the Golden Lion at the Venice Biennale and in 2024 she will be awarded the 30th Wolfgang-Hahn-Prize of the Society for Modern Art at the Museum Ludwig in Cologne. Her work has been featured in major solo exhibitions around the world, most recently at the Power Plant, Toronto (2023) Kunsthaus Bregenz in Venice (2022), IVAM, Valencia (2021), SMAK, Ghent (2020), Tate St. Ives (2019), the New Museum (2018) and the Museum der Moderne, Salzburg (2018) and in numerous international group shows including the 22nd Sydney Biennale (2020), Castello di Rivoli, Torino (2019), the Museum of Modern Art, New York City (2017) and the dOCUMENTA (13), Kassel (2012).



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