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Libreta de Notas, 2018–2020

series of drawings

Marco A. Castillo, Séptima libreta de notas, página 7, 2020, ink and pencil on paper, 44.8 x 38 x 2.5 cm
Marco A. Castillo, Sexta libreta de notas, página 1, 2020, ink and pencil on paper, 44.8 x 38 x 2.5 cm
Marco A. Castillo, Quinta libreta de notas, página 5, 2020, ink and pencil on paper, 44.8 x 38 x 2.5 cm
Marco A. Castillo, Cuarta libreta de notas, página 3, 2020, ink and pencil on paper, 44.8 x 38 x 2.5 cm
Marco A. Castillo, Séptima libreta de notas, página 13, 2020, ink and pencil on paper, 44.8 x 38 x 2.5 cm
Marco A. Castillo, Cuarta libreta de notas, página 6 textil, 2020, ink and pencil on paper, 44.8 x 38 x 2.5 cm
Marco A. Castillo, Cuarta libreta de notas, página 2 textil, 2020, ink and pencil on paper, 44.8 x 38 x 2.5 cm
Marco A. Castillo, Séptima libreta de notas, página 9, 2020, ink and pencil on paper, 44.8 x 38 x 2.5 cm
Marco A. Castillo, Libreta de Notas, 2018, ink and pencil on paper, 27.8 x 20.9 cm
Marco A. Castillo, Libreta de Notas, 2018, ink and pencil on paper, 27.8 x 20.9 cm
Marco A. Castillo, Libreta de Notas, 2018, ink and pencil on paper, 27.8 x 20.9 cm
Marco A. Castillo, Libreta de Notas, 2018, ink and pencil on paper, 27.8 x 20.9 cm
Marco A. Castillo, Libreta de Notas, 2018, ink and pencil on paper, 27.8 x 20.9 cm
Marco A. Castillo, Libreta de Notas, 2018, ink and pencil on paper, 27.8 x 20.9 cm
Marco A. Castillo, Libreta de Notas, 2018, ink and pencil on paper, 27.8 x 20.9 cm

ink and pencil on paper
44.8 x 38 x 2.5 cm each

Marco A. Castillo

Marco A. Castillo is co-founder of the collective Los Carpinteros. The group was created in 1992 in Havana, Cuba, to develop practices that combine architectural forms, design and art, independent of individual authorship. While the collective gained wide international recognition as a group, Castillo has also been recognized for his individual work. In his career as an individual artist, he has experimented with the intersections between fine art, applied art, and decorative art to problematize aesthetic expectations and preconceptions associated with the Latin American history of modernism, socialist design, and Cuban traditions. In doing so, he also focuses on Cuba's current political developments as well as the now often forgotten achievements of modern Cuban architects and designers. He has been awarded different prizes, latest being the Medalla por la Cultura Nacional (Cuba, 2002).



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