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White Mantras, 2022

7 Single-channel videos, color, loop

Candice Breitz, White Mantras, 2022, 7 Single-channel videos, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantras, 2022, 7 Single-channel videos, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantras, 2022, 7 Single-channel videos, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (Because you know what? Not all white people are racist!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (Because you know what? Not all white people are racist!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (I’m not a racist... why some of my best friends are black!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (I’m not a racist... why some of my best friends are black!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (I am not gonna give in to this white privilege stuff!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (I am not gonna give in to this white privilege stuff!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (I don’t see colour!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (I don’t see colour!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (We can’t say anything anymore, we can’t have an opinion!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (We can’t say anything anymore, we can’t have an opinion!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (It is not a privilege to be white!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (It is not a privilege to be white!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (Whiteness! White rage!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden
Candice Breitz, White Mantra (Whiteness! White rage!), 2022, Single-channel video, color, approx. 8:30 min (looped), Edition of 6, Installation views: Museum Folkwang, Photo: Jens Nober, Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden

7 Single-channel videos, color
approx. 8:30 min (looped)
Edition of 6
Installation views: Museum Folkwang
Photos: Jens Nober
Commissioned by the Museum Folkwang with support from the Kunsthalle Baden-Baden

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Candice Breitz

Candice Breitz, born in 1972 in Johannesburg, is best known for her moving image installations. Throughout her career, she has explored the dynamics by means of which an individual becomes him or herself in relation to a larger community, be that community the immediate community that one encounters in family, or the real and imagined communities that are shaped not only by questions of national belonging, race, gender and religion, but also by the increasingly undeniable influence of mainstream media such as television, cinema and popular culture. Most recently, Breitz’s work has focused on the conditions under which empathy is produced, reflecting on a media-saturated global culture in which strong identification with fictional characters and celebrity figures runs parallel to widespread indifference to the plight of those facing real world adversities. Candice Breitz is based in Berlin and, since 2007, holds a professorship for fine arts at the Braunschweig University of Art (HBK) and in the same year was awarded with the Prix International d´Art Contemporain I Fondation Prince Pierre de Monaco. Her work has been featured in international group shows in institutions such as Haus der Kunst, München (2023), Bundeskunsthalle, Bonn (2022), Hammer Museum, Los Angeles (2021), Louisiana Museum of Modern Art, Humlebæk (2021), the Jewish Museum, New York City (2020), the National Gallery of Canada, Ottawa (2016), De Appel Foundation, Amsterdam (2001). Solo exhibitions of Breitz’s work have been shown at Fotografiska, Berlin (2023), Tate Liverpool (2022), Museum Folkwang, Essen (2022), Kunstmuseum Stuttgart (2016), Kunsthaus Bregenz (2010), San Francisco Museum of Modern Art (2009) , Palais de Tokyo, Paris (2005) among others. Next to various group exhibitions Breitz has participated in biennales in Johannesburg (1997), São Paulo (1998), Istanbul (1999), Taipei (2000), Kwangju (2000), Tirana (2001), Venice (2005), New Orleans (2008), Göteborg (2003 + 2009), Singapore (2011) and Dakar (2014). She was invited to the South African Pavilion at the 57th Venice Biennale (2017).



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