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Drawings, 2022 by Matthieu Kilapi Kasiama

CATPC, Resistance 3, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Mukuni Le Semeur, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Chemin d'idées, Kukwisa ya bangindu, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Genies Afrique, Aller sans retour, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Resistance 4, Retour Force Balot a la Plantation, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Pende Control Esprit Balot, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner, colored pen on paper, 42 x 29.5 cm
CATPC, Sang Coupable verse a la Plantation_Pende Control 2 (suite), 2022, by Matthieu Kilapi Kasiama, pencil, fineliner, colored pen on paper, 42 x 29.5 cm
CATPC, 4 Coins Post Plantation, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Arts & Agriculture Vision Futur, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Balot, Retour de la Violence, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner, colored pen, felt tip pen on paper, 42 x 29.5 cm
CATPC, Aveugle visionnaire, Kifiameso ya kumuna na ntuala, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Bouclier Naturelle, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Resistance 2, Plantation Monoculture, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Reservation Naturelle, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner on paper, 42 x 29.5 cm
CATPC, Esprit fâché de Balot, Esprit Colon, 2022, by Matthieu Kilapi Kasiama, pencil, fineliner, colored pen on paper, 42 x 29.5 cm

Pencil, fineliner, colored pen on paper
42 x 29.5 cm

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CATPC

CATPC – Cercle d’art des travailleurs de plantation congolaise – is an art cooperative of plantation workers based in Lusanga, D.R.Congo. CATPC was founded in 2014 with renowned environmental activist René Ngongo. Over the past decade, they have reconnected to a history of artistic resistance against the plantation system and developed a practice of getting hundreds of acres of exhausted plantation land with the proceeds of their art. On this land they bring back the forests that were cut down by the plantation companies and develop their ecological and inclusive food garden the “Post-Plantation” with the proceeds of their art.

At the heart of that reclaimed land, they built a museum, the White Cube Lusanga. In 2024, they represented the Netherlands at the Venice Biennale, presenting a dual exhibition in Venice and Lusanga. They also secured the temporary return of the ancestral sculpture Balot to Lusanga for the duration of the Biennale – a powerful act of reconnection between the community and its history of resistance against the plantation system.

Recent solo exhibitions include SculptureCenter (New York, 2017), the Dutch pavilion at the 60th Venice Biennale (2024), and the Van Abbemuseum (Einhoven, 2024). Other exhibitions include Sydney Biennale (2017), Dig Where You Stand (Ghana, 2022), Diriyah Contemporary Art Biennale (2024).



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