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Yours, KOW

Forced Love, 2020 by Irene Kanga

Installation

Forced Love by Irene Kanga portrays a man raping a woman. Kanga has been working with CATPC since 2014 and has sought to render visible the violence imposed on women – including herself – on the plantation. She links her personal experiences to an historic event: the rape of a Pende woman by a Belgian colonial agent in 1931, in the midst of one of many campaigns to forcibly round up men to become palm cutters for the Lever Brothers plantation in Lusanga (formerly known as Leverville).

CATPC, Irene Kanga, Forced Love, 2020, cocoa and palm fat, 68 x 50 x 122 cm, photos by Ladislav Zajac
CATPC, Irene Kanga, Forced Love, 2020, cocoa and palm fat, 68 x 50 x 122 cm, photos by Ladislav Zajac
CATPC, Irene Kanga, Forced Love, 2020, cocoa and palm fat, 68 x 50 x 122 cm, photos by Ladislav Zajac
CATPC, Irene Kanga, Forced Love, 2020, cocoa and palm fat, 68 x 50 x 122 cm, photos by Ladislav Zajac
CATPC, Irene Kanga, Forced Love, 2020, cocoa and palm fat, 68 x 50 x 122 cm, photos by Ladislav Zajac
CATPC, Irene Kanga, Forced Love, 2020, cocoa and palm fat, 68 x 50 x 122 cm, photos by Ladislav Zajac
CATPC, Irene Kanga, Forced Love, 2020, cocoa and palm fat, 68 x 50 x 122 cm, photos by Ladislav Zajac
CATPC, Irene Kanga, Forced Love, 2020, cocoa and palm fat, 68 x 50 x 122 cm, photos by Ladislav Zajac

Cocoa and palm fat, 68 x 50 x 122 cm
Ed. of 7 + 2AP
Photos: Ladislav Zajac

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CATPC

CATPC – Cercle d’art des travailleurs de plantation congolaise – is an art cooperative of plantation workers based in Lusanga, D.R.Congo. CATPC was founded in 2014 with renowned environmental activist René Ngongo. Over the past decade, they have reconnected to a history of artistic resistance against the plantation system and developed a practice of getting hundreds of acres of exhausted plantation land with the proceeds of their art. On this land they bring back the forests that were cut down by the plantation companies and develop their ecological and inclusive food garden the “Post-Plantation” with the proceeds of their art.

At the heart of that reclaimed land, they built a museum, the White Cube Lusanga. In 2024, they represented the Netherlands at the Venice Biennale, presenting a dual exhibition in Venice and Lusanga. They also secured the temporary return of the ancestral sculpture Balot to Lusanga for the duration of the Biennale – a powerful act of reconnection between the community and its history of resistance against the plantation system.

Recent solo exhibitions include SculptureCenter (New York, 2017), the Dutch pavilion at the 60th Venice Biennale (2024), and the Van Abbemuseum (Einhoven, 2024). Other exhibitions include Sydney Biennale (2017), Dig Where You Stand (Ghana, 2022), Diriyah Contemporary Art Biennale (2024).



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