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video

CATPC with Baloji and Renzo Martens, CATPC – the artists from the plantation. A portrait by Baloji, 2018, video , 9 min, installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales, foto: silversalt photography 
CATPC with Baloji and Renzo Martens, CATPC – the artists from the plantation. A portrait by Baloji, 2018, video , 9 min, installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales, foto: silversalt photography 
CATPC with Baloji and Renzo Martens, CATPC – the artists from the plantation. A portrait by Baloji, 2018, video , 9 min, installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales, foto: silversalt photography 
CATPC with Baloji and Renzo Martens, CATPC – the artists from the plantation. A portrait by Baloji, 2018, video , 9 min, installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales, foto: silversalt photography 
CATPC with Baloji and Renzo Martens, CATPC – the artists from the plantation. A portrait by Baloji, 2018, video , 9 min, installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales, foto: silversalt photography 
CATPC with Baloji and Renzo Martens, CATPC – the artists from the plantation. A portrait by Baloji, 2018, video , 9 min, installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales, foto: silversalt photography 
CATPC with Baloji and Renzo Martens, CATPC – the artists from the plantation. A portrait by Baloji, 2018, video , 9 min, installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales, foto: silversalt photography 
CATPC with Baloji and Renzo Martens, CATPC – the artists from the plantation. A portrait by Baloji, 2018, video , 9 min, installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales, foto: silversalt photography 
CATPC with Baloji and Renzo Martens, CATPC – the artists from the plantation. A portrait by Baloji, 2018, video , 9 min, installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales, foto: silversalt photography 

video , 9 min
commissioned by the Biennale of Sydney with generous assistance from the Mondriaan Fund
installation view of the 21st Biennale of Sydney (2018) at the Art Gallery of New South Wales
fotos: silversalt photography

CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP
CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP
CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP
CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP
CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP
CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP
CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP
CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP
CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP
CATPC, Upside Down World, 2017, HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24, ed. of 5 + 1 AP

HD video, 16:9, color, sound (flmed and edited by Eléonore Hellio), 24:24
ed. of 5 + 1 AP

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CATPC

On CATPC
chocolate sculptures
Drawings
video
Exhibitions

CATPC is the Congolese Plantation Workes Art League (Cercle d‘art des travailleurs de plantation congolaise), a cooperative organization inspired by a long-term project by the Dutch artist Renzo Martens. CATPC has set itself the goal of making a way out of the hardly paid plantation work through its own agriculture, but above all through considerable artistic projects by the local community.



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