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Faux Terrain, 2019

video

The space that separates a panoramic image from the standing position of its viewers is known as false ground – “faux terrain”.
The plot of the film follows a young adult, whose identity remains unclear, in special social spaces in Lucerne: the historical Bourbaki Panorama, civil defence shelters and the Kunstmuseum.

Clemens von Wedemeyer, Faux Terrain, 2019, video, color, sound, 16:9, 20 min, ed. of 3 + 2AP, videostill
Clemens von Wedemeyer, Faux Terrain, 2019, video, color, sound, 16:9, 20 min, ed. of 3 + 2AP, videostill
Clemens von Wedemeyer, Faux Terrain, 2019, video, color, sound, 16:9, 20 min, ed. of 3 + 2AP, videostill
Clemens von Wedemeyer, Faux Terrain, 2019, video, color, sound, 16:9, 20 min, ed. of 3 + 2AP, videostill

video, color, sound, 16:9, 20 min, ed. of 3 + 2AP

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Clemens von Wedemeyer

Clemens von Wedemeyer, born in 1974 in Göttingen, Germany, currently lives and works in Berlin and holds a professorship for media art at the Academy of Fine Arts Leipzig. The artist and filmmaker studied photography and media at the Fachhochschule Bielefeld and the Academy of Fine Arts Leipzig and graduated as Meisterschüler of Astrid Klein in 2005. Clemens von Wedemeyer participated in group shows such as the 1st Moscow Biennale (2005), the 4th Berlin Biennale (2006), Skulptur Projekte Münster in 2007, the 16th Biennale of Sydney (2008) and dOCUMENTA (13) (2012). He had solo shows among others at MoMA PS1, New York, ARGOS Centre for Art and Media, Brussels, the Barbican Art Centre, London, Frankfurter Kunstverein, Museum of Contemporary Art, Chicago, and Hamburger Kunsthalle. “ESIOD 2015” premiered at the 66. Internationale Filmfestspiele Berlin (Berlinale) in 2016.

Most recently Wendemeyer´s work has been displayed in solo exhibitions such as Im Kontext der Sammlung: Clemens von Wendemeyer (Kunstmuseum Lichtenstein, Vaduz 2023) and BAKHMUT (Albertinum Dresden 2023).



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