Rehousing (2012–2019) consists of 12 true-to-scale models that reproduce historical, sometimes destroyed, or never realised housing structures. They are “case studies for the mental geography of an alternative modernity” (Friedl). The first model (Gründbergstraße 22, 2012) is the artist’s childhood home in Austria; following models comprise of Ho Chi Minh’s private residence, a traditional stilt house structure in Hanoi (Uncle Ho, 2012); a slave hut on the Evergreen plantation established in Louisiana in the eighteenth century (Evergreen, 2013); a never realized residential building in the razionalismo style designed by Luigi Piccinato for East Africa during the Fascist era (Villa tropicale, 2012–13); a replica of philosopher Martin Heidegger’s cabin in the Black Forest (Heidegger, 2014); a reconstruction of a shack built by African refugees in Berlin and taken down by the police in 2014 (Oranienplatz, 2014); a so-called “nail house” or dingzihu—representing one of many local structures resisting the Chinese building boom (Holdout, 2016); and one of the few derelict buildings left from Van Molyvann’s 100 Houses project completed in 1967 for employees of National Bank of Cambodia in Phnom Penh (101, 2016). The dome construction is from Drop City, the short-lived hippie commune founded in Southern Colorado in 1965 and abandoned in the mid-1970s, which implemented Buckminster Fuller’s geodesic design principles into DIY buildings (Dome, 2016); a container home comes from a refugee camp in Jordan (Azraq, 2016). The two most recent models show Winnie and Nelson Mandela’s former home in Soweto, now transformed into a museum (8115 Vilakazi Street, 2018–2019) and one of the prefabricated container houses that made up Amona— the Israeli outpost in the Palestinian territories on the West Bank, which was cleared in 2017 (Amona, 2018–2019).