Cinematographically, Report (2016) is perhaps the most complex of Friedl’s film installations. The source text is A Report to an Academy (1917), Franz Kafka’s short story about Red Peter, an ape who reports on his experience of becoming human. Set in the National Theatre in Athens, twenty-four performers—mostly amateur actors—appear on stage and recite extracts from Kafka’s monological text, either in their own first languages or in languages of their choice, including Arabic, Dari, English, French, Greek, Kurdish, Russian, and Kiswahili. German, the text’s original language, and subtitles are deliberately left out. What unites the people on stage are their physical presence, gestures, speech, and the fact that many of them came to Greece in the wake of recent immigration movements.
Report, 2016
Video installation
Single-channel video installation (XDCAM HD)
Color, sound
Duration: 32:03 min., loop
Aspect ratio: 16:9
Based on A Report to an Academy by Franz Kafka (1917)
Artist and director: Peter Friedl
Director of photography: Giorgos Karvelas
Sound: Vasilis Gerodimos
Executive Producer: Karinia Stylou
With Emenike Anayo Anderson, Hana Al Shateri, Dimitri Ramin Sakellariou, Emily Muthoni, Jamila Mousavi Shakoor, Seied Hamid Mousavi, Eleni Diop Galata, Lina Tabbara, Nikolay Baev, Violette Ngoma, Roba Safar Alrefaie, Sona Omidi, Maan Halaoui, Cyrille Narcisse Fabo Tchoumi, Peter Michael Depian, Berivan Shamo, Bashar Shamo, Zahra Banshi, Maria Kallimani, Yang Kouei Fank, Esther Andre Gonzalez, Mohammed Dawlat Yar, Sultanah Mousa, Fotis Rozinos
Editing: Stanislaw Milkowski, Peter Friedl
Post Production: Concept AV, Berlin
Assistant to artist: Daphni Antoniou
1st camera operator: Lefteris Agapoulakis
2nd camera operator: Kalliopi Perdika
Gaffer: Nikos Mouzakis
Casting: Kelly Karahaliou, Yannis Arvanitis, Demode_Video Cinema
Production manager: Sokratis Konstantinidis
Production coordination: Mando Arvaniti, Stella Alisanoglou
Production assistants: Vaggelis Kaliakatsos, Andreas Koumoutsakos, Nikos Zisis
Catering: Sotoris Marneras
Thanks to Chalil Alizada, Hossain Amiri, Stefanos Gerodoukos, Yazan Jeratli, Mariam Kasem, Alan Mousa, Alla Nammoura, Fourough Taheri for their important assistance
Special thanks to Marianna Pana, National Theatre of Greece, Athens
Commissioned and produced by documenta 14
Peter Friedl
Peter Friedl is a classic of contemporary art. The three-time documenta participant, born in 1960, can be considered a notorious participant in discourse - because his work has always understood how to address major themes in such a way that they found and find new forms away from the canon and mainstream. Forms that run counter to power and domination, subvert them, escape them.... and confront them in the process. Friedl takes away from history - for example colonialism or modernity, its paradigms and institutions - the power to define what is connected and how, and with an almost innocent-seeming aesthetic he tells a different story about humans and historical actions than we are used to and may find opportune. Peter Friedl provokes that which dominates us, including our own thinking. Throughout the years he his work has been displayed in meaningful solo exhibitions, most recently Teatro Popular (KOW Berlin, 2023), Report 1964-2022 (KW Berlin 2022) and No Prey, No Pay (Guido Costa Projects Turin, 2021) and major group exhibitions such as Life, Without Buildings, Gta exhibitions (ETH Zurich 2022), Das Auto rosi aber (KOW Berlin 2022) and Komunikazion - Inkomunikazio (Tabakalera, Centre for Contemporary Art, San Sebastian 2021).
- Anna Boghiguian
- Candice Breitz
- Marco A. Castillo
- CATPC
- Alice Creischer
- Chto Delat
- Clegg & Guttmann
- Eugenio Dittborn
- Heinrich Dunst
- Anna Ehrenstein
- León Ferrari
- Peter Friedl
- Sophie Gogl
- Barbara Hammer
- Ramon Haze
- Hiwa K
- Simon Lehner
- Renzo Martens
- Chris Martin
- Frédéric Moser & Philippe Schwinger
- Oswald Oberhuber
- Mario Pfeifer
- Dierk Schmidt
- Santiago Sierra
- Michael E. Smith
- Franz Erhard Walther
- Clemens von Wedemeyer
- Tobias Zielony