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Yours, KOW

Untitled, 1993

sculpture

Peter Friedl, Untitled, 1993, Plastic, sticker, 5.2 x 13.8 x 6 cm, Showcase: painted plywood, Plexiglas, steel, 153 x 25 x 25 cm
Peter Friedl, Untitled, 1993, Plastic, sticker, 5.2 x 13.8 x 6 cm, Showcase: painted plywood, Plexiglas, steel, 153 x 25 x 25 cm

Plastic, sticker, 5.2 x 13.8 x 6 cm
Showcase: painted plywood, Plexiglas, steel, 153 x 25 x 25 cm

Peter Friedl, Untitled, 1993, Plastic, varnish, 2.3 x 4 x 3.8 cm, Showcase: painted plywood, Plexiglas, steel, 153 x 25 x 25 cm
Peter Friedl, Untitled, 1993, Plastic, varnish, 2.3 x 4 x 3.8 cm, Showcase: painted plywood, Plexiglas, steel, 153 x 25 x 25 cm

Plastic, varnish, 2.3 x 4 x 3.8 cm
Showcase: painted plywood, Plexiglas, steel, 153 x 25 x 25 cm

Peter Friedl, Untitled, 1993, Plastic, varnish, 6.5 x 3.4 x 0.7 cm, Showcase: painted plywood, Plexiglas, steel, 153 x 25 x 25 cm
Peter Friedl, Untitled, 1993, Plastic, varnish, 6.5 x 3.4 x 0.7 cm, Showcase: painted plywood, Plexiglas, steel, 153 x 25 x 25 cm

Plastic, varnish, 6.5 x 3.4 x 0.7 cm
Showcase: painted plywood, Plexiglas, steel, 153 x 25 x 25 cm

  • INDEX:

Peter Friedl

Everyone is a conspiracy theorist, 2023
No prey, no pay, 2018–19
Teatro Popular, 2016–17
Report, 2016
Teatro (Report), 2016–18
The Dramatist (Anne, Blind Boy, Koba), 2016
Study for Social Dreaming, 2014–17
The Dramatist (Black Hamlet, Crazy Henry, Giulia, Toussaint), 2013
Rehousing, 2012–2019
Bilbao Song, 2010
The Children, 2009
Liberty City, 2007
The Zoo Story, 2007
Postcards, 2007
No Photography, 2004
Home Tree Home, 2002
King Kong, 2001
Tiger und Löwe, 2000
Dream City, 1999
Untitled (San Diego), 1999
Peter Friedl, 1998
Untitled, 1998
Index on Censorship I-V, 1998
KINO, 1997
Dummy, 1997
La Bohème, 1997
MOB, 1997
Playgrounds, 1995–2021
Untouched, 1995–97
Untitled, 1993
Theory of Justice, 1992–2010
The Diaries, 1981–ongoing
Untitled, 1971
Drawings, 1964–ongoing

Peter Friedl is a classic of contemporary art. The three-time documenta participant, born in 1960, can be considered a notorious participant in discourse - because his work has always understood how to address major themes in such a way that they found and find new forms away from the canon and mainstream. Forms that run counter to power and domination, subvert them, escape them.... and confront them in the process. Friedl takes away from history - for example colonialism or modernity, its paradigms and institutions - the power to define what is connected and how, and with an almost innocent-seeming aesthetic he tells a different story about humans and historical actions than we are used to and may find opportune. Peter Friedl provokes that which dominates us, including our own thinking. Throughout the years he his work has been displayed in meaningful solo exhibitions, most recently Teatro Popular (KOW Berlin, 2023), Report 1964-2022 (KW Berlin 2022) and No Prey, No Pay (Guido Costa Projects Turin, 2021) and major group exhibitions such as Life, Without Buildings, Gta exhibitions (ETH Zurich 2022), Das Auto rosi aber (KOW Berlin 2022) and Komunikazion - Inkomunikazio (Tabakalera, Centre for Contemporary Art, San Sebastian 2021).



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