Tonight This Film Will Be Broadcasted In Color, 2016

video installation

“Tonight the film will be broadcast in color.”
A rumor spread in 1979 that the state-owned television station would show a film in color despite the fact that most televisions were black and white. Unlike in cities with Arab inhabitants, the majority of the people in the Kurdish area of Iraq still didn’t have color TV sets.
So my father decided to cut a sheet of colored cellophane and stick it on the screen of our TV at home. It stayed a whole week until he switched it to another color. We used to watch films, music videos, and other programs in a single shade of blue, pink, green, or yellow. Later he began dividing the screen in two, three, or four sections with a different color in each area. We watched figures walking from blue to green, or though yellow to purple to pink.
Eventually, he constructed stripes and other elaborate forms.
After a while, I realized that my father was not the only one making his own color TV. Many other people in the Kurdish area had devised their own unique filters.

Hiwa K, Tonight This Film Will Be Broadcasted In Color [2016]

“Tonight the film will be broadcast in color.”

A rumor spread in 1979 that the state-owned television station would show a film in color despite the fact that most televisions were black and white. Unlike in cities with Arab inhabitants, the majority of the people in the Kurdish area of Iraq still didn’t have color TV sets.

So my father decided to cut a sheet of colored cellophane and stick it on the screen of our TV at home. It stayed a whole week until he switched it to another color. We used to watch films, music videos, and other programs in a single shade of blue, pink, green, or yellow. Later he began dividing the screen in two, three, or four sections with a different color in each area. We watched figures walking from blue to green, or though yellow to purple to pink.

Eventually, he constructed stripes and other elaborate forms.

After a while, I realized that my father was not the only one making his own color TV. Many other people in the Kurdish area had devised their own unique filters.

Hiwa K, Tonight This Film Will Be Broadcasted In Color, 2016, Multichannel video installation with 15 vintage TV sets and cellophane sheets, Dimensions variable

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Hiwa K

**He Who Stares at the Sky Will Go Blind!, 2018**

**0° Blind Spot, Where Beloved is…, 2017 – 2018**

**Pre-Image (Blind As The Mother Tongue), 2017**

**The Existentialist Scene in Kurdistan (Raw Materiality 01), 2017**

**Tonight This Film Will Be Broadcasted In Color, 2016**

**Nazhad and The Bell Project, 2007–2015**

**It's Spring And The Weather Is Great So Let's Close All Object Matters, 2012**

**What the Barbarians did not do, did the Barberini, 2012**

Biography

Hiwa K was born in Kurdistan-Northern Iraq in 1975. His informal studies in his home town Sulaymaniyah were focused on European literature and philosophy, learnt from available books translated into Arabic. After moving to Europe in 2002, Hiwa K studied music as a pupil of the Flamenco master Paco Peña in Rotterdam, and subsequently settled in Germany. His works escape normative aesthetics but give a possibility of another vibration to vernacular forms, oral histories (Chicago boys, 2010), modes of encounter (Cooking with Mama, 2006) and political situations (This lemon tastes of apple, 2011). The repository of his references consists of stories told by family members and friends, found situations as well as everyday forms that are the products of pragmatics and necessity. He continthuously critiques the art education system and the professionalization of art practice, as well as the myth of the individual artist. Many of his works have a strong collective and participatory dimension, and express the concept of obtaining knowledge from everyday experience rather than doctrine. Hiwa K participated in various group shows such as Manifesta 7, Trient (2008), La Triennale, Intense Proximity, Paris (2012), the “Edgware Road Project” at the Serpentine Gallery, London (2012), the Venice Biennale (2015) and documenta14, Kassel/Athens (2017). A selection of recent solo shows include the New Museum, NYC (2018), S.M.A.K., Ghent (2018), Kunstverein Hannover (2018), Jameel Arts Center Dubai (2020), Museum Abteiberg (2021) and The Power Plant (Toronto (2022). He has recieved several prizes such as in 2016 the Arnold Bode Prize and the Schering Stiftung Art Award and the latest being the Hector Prize in 2019.

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