An old woman wearing a black hessian hood sat on a stool facing the wall for a period of an hour. The action was staged without an audience on May 1st, 2003.
Hooded Woman Seated Facing The Wall, 2003
Spanish Pavillion. Venice, Italy
chromogenic print, b&w, 150 x 220 cm, ed. of 6 + 1AP
Santiago Sierra
Santiago Sierra's oeuvre stands out from the art history of the past 30 years like a massive black monolith. The Spaniard, who was born in 1966 and also lived in Latin America, knows like no other how to use the established forms and rules of contemporary art to give the violence and injustice of Western modernity a face - a face that is our own. The formal language of minimalism, in its distanced, cool way, is particularly suited to being short-circuited with the abstract economic and institutional apparatuses that bind people into the dehumanized conditions of production, migration, (self-)exploitation, and stigmatization. Those conditions, in other words, that guarantee the privileges of most of the viewers to whom Sierra's work addresses itself in the art world. Not everyone likes that. Sierra is the living shadow in the repressed bad conscience of power and money, with which people rule over people. His work has been honored institutionally many times, and in 2003 he represented Spain at the Venice Biennale.
- Anna Boghiguian
- Candice Breitz
- Marco A. Castillo
- CATPC
- Alice Creischer
- Chto Delat
- Clegg & Guttmann
- Eugenio Dittborn
- Heinrich Dunst
- Anna Ehrenstein
- León Ferrari
- Peter Friedl
- Sophie Gogl
- Barbara Hammer
- Ramon Haze
- Hiwa K
- Simon Lehner
- Renzo Martens
- Chris Martin
- Frédéric Moser & Philippe Schwinger
- Oswald Oberhuber
- Mario Pfeifer
- Dierk Schmidt
- Santiago Sierra
- Michael E. Smith
- Franz Erhard Walther
- Clemens von Wedemeyer
- Tobias Zielony