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A Horse Is Not A Metaphor, 2008

Transferred 16 mm film

In Hammer’s autobiographical experimental film A Horse Is Not A Metaphor, the artist reflects on her personal fight against stage 3 ovarian cancer, transforming illness into recovery. Describing herself as a cancer "thriver" rather than a "survivor," Hammer rides on horseback through the red hills of Georgia O’Keefe’s Ghost Ranch in New Mexico, the grassy foothills of the Big Horn in Wyoming, and leafy paths in Woodstock, New York. In this multilayered film, Hammer moves from scenes of chemotherapy sessions to images of light and movement that take her far from the hospital bed. The haunting score is by musician Meredith Monk.

Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min

Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min

  • INDEX:

Estate of Barbara Hammer

Vintage photos
Works on paper
A Horse Is Not A Metaphor, 2008
Blue Film No 6: Love Is Where You Find It, 1998
Save Sex, 1993
Vital Signs, 1991
Dr. Watson's X-Rays, 1991
Sanctus, 1990
Still Point, 1989
T.V. Tart, 1988
Place Mattes, 1987
No No Nooky TV, 1987
Snow Job: The Media Hysteria of Aids, 1986
Optic Nerve, 1985
Would You Like to Meet Your Neighbor? A New York Subway Tape, 1985
Doll House, 1984
Tourist, 1984
Stone Circles, 1983
Audience, 1982
Pools, 1981
Sync Touch, 1981
Double Strength, 1978
Women I Love, 1976
Multiple Orgasm, 1976
"X", 1975
Superdyke, 1975
Dyketactics, 1974
Menses, 1974
I was / I am, 1973
Über Alles / Protégée, 1971/1972
Cleansed II, 1969
Clay I Love You II, 1968/69
Barbara Ward will never die, 1968
Aldebaran Seas, 1969
Death Of A Marriage, 1969
Contribution To Light, 1968
White Cassandra, 1968

Barbara Hammer was born in Hollywood in 1939. Her documentary and experimental films are considered among the earliest and most extensive representations of lesbian identity, love, and sexuality. Accompanying her career as a filmmaker, Hammer has time and again worked with performance and installation. She has participated in group exhibitions such as the Whitney Biennial in 1993, the WACK! show at MOCA L.A. and MoMA PS1 in 2007/2008. With film retrospectives at New York’s MoMA in 2010 and the Tate Modern, London, in 2012, the artworld's interest in Hammer's work has recently increased. Hammer has been a teacher for many years and held a professorship at the European Graduate School in Saas-Fee (CH). She died in 2019.



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