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Yours, KOW

A Horse Is Not A Metaphor, 2008

Transferred 16 mm film

In Hammer’s autobiographical experimental film A Horse Is Not A Metaphor, the artist reflects on her personal fight against stage 3 ovarian cancer, transforming illness into recovery. Describing herself as a cancer "thriver" rather than a "survivor," Hammer rides on horseback through the red hills of Georgia O’Keefe’s Ghost Ranch in New Mexico, the grassy foothills of the Big Horn in Wyoming, and leafy paths in Woodstock, New York. In this multilayered film, Hammer moves from scenes of chemotherapy sessions to images of light and movement that take her far from the hospital bed. The haunting score is by musician Meredith Monk.

Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min
Barbara Hammer, A Horse Is Not A Metaphor, 2008, Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min

Transferred 16mm film, color, b&w, sound by Meredith Monk, 29:41 min

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Estate of Barbara Hammer

Barbara Hammer was born in Hollywood in 1939. Her documentaries and experimental films are among the earliest and most comprehensive depictions of lesbian identity, love, and sexuality. For more than five decades, Hammer was an increasingly influential voice of queer feminism, and a chronicler of women's self-empowerment in the U.S. and many other places around the world. Following film retrospectives at New York's MoMA in 2010, Tate Modern, London in 2012, and her first solo exhibitions at KOW beginning in 2011, the art world began to take an interest in Hammer's now historic body of work, which includes performances, installations, and works on paper. Numerous institutional exhibitions and successes followed, and today Hammer is considered one of the greatest examples of politically engaged feminist art. Hammer was a teacher for many years and held a professorship at the European Graduate School in Saas-Fee (CH). She passed away in 2019. Since, her work is still ongoingly displayed in major solo exhibitions such as Would You Like To Meet Your Neighbor? (Skulpturenmuseum Marl 2023), Women I Love (Ratio 3, San Francisco 2022 and Frans Josefs Kai 3, Vienna 2021), tell me there is a lesbian forever (Company Gallery, New York 2021), Sisters! (La Virreina Centre de la Imatge, Barceola 2020).



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