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Yours, KOW

Barbara Hammer & Oswald Oberhuber

, Estate of Barbara Hammer, Oswald Oberhuber

Sep 17 – Nov 6, 2016

DeutschEnglish

Barbara Hammer and Oswald Oberhuber stand out among the artists of their generation for their pioneering achievements. Born in Hollywood in 1939 and in South Tyrol in 1931, respectively, they each helped write a chapter of art history and, by extension, a chapter in the history of their societies.

Barbara Hammer und Oswald Oberhuber sind zwei Pioniere ihrer Generation. Geboren 1939 in Hollywood und 1931 in Südtirol, haben beide je ein Stück Kunstgeschichte mitgeschrieben und dabei auch ein Stück Gesellschaftsgeschichte.

Both have been dedicated to causes that extend beyond their art; theirs have been powerful voices in the intellectual discourse and the politics of culture for decades. Since the 1960s, both have been regarded by many as paragons of what it means to be an artist: they struggled to break with convention, took public stances, conceived the social in new terms, put themselves on the line in interventions into a culture business that arranges forces, voices, bodies, financial resources, and identities—and advocated the repudiation of these structures or their transformation.

Barbara Hammer’s and Oswald Oberhuber’s paths never crossed. Hammer has worked from San Francisco and, later, from New York; Oberhuber was first in Innsbruck and now lives in Vienna. To arrange an encounter between these two free spirits, who emerged from very different backgrounds, may be a violation of art-historical propriety, but we can tell a story in which the two know each other. This story would obviously begin with a portrait of the circumstances that prevailed at the time, in the U. S. no less than in Austria: circumstances that were inauspicious for people who did not conform, who spurned the customary and put a great deal at stake in the attempt to devise a subjectivity that would elude containment by the canonical.

Beider Engagement reicht über ihr Werk hinaus und wirkte über mehrere Dekaden hinein in den intellektuellen und kulturpolitischen Diskurs. Beide gelten seit den 1960er Jahren für viele als Beispiel eines künstlerischen Rollenmodells, das sich aus Konventionen herausboxte, öffentlich positionierte, das Soziale anders dachte und dabei das eigene Selbst in den Betrieb hineinstellte, der Mächte, Stimmen, Körper, Finanzen und Identitäten arrangiert – und für das Uneinverständnis mit diesen Verhältnissen eintrat oder für ihre Umgestaltung.

Barbara Hammer und Oswald Oberhuber liefen sich nie über den Weg. Hammer wirkte von San Francisco und später New York, Oberhuber zunächst von Innsbruck und dann von Wien aus. Es mag etwas verwegen sein, diese zwei Freigeister verschiedener Herkunft heuer zusammenzubringen, und doch: Es lässt sich eine Geschichte erzählen, in der beide sich kennen. Diese Geschichte müsste damit beginnen, dass die Umstände in den USA wie in Österreich seinerzeit nicht günstig waren für Leute, die etwas anderes im Sinn hatten als die gegebene Sitten und Gebräuche, und dann viel daran setzten, sich eine Subjektivität einfallen zu lassen, die kanonischer Einhegung entgeht.

Barbara Hammer & Oswald Oberhuber, Installation view KOW
Barbara Hammer & Oswald Oberhuber, Installation view KOW

Oswald Oberhuber’s oeuvre grows out of the spirit of postwar Art Informel. No longer willing to abide by classical principles of form and composition, artists make a fresh start; Oberhuber, a native of Tyrol, contributes informalist sculptures but soon goes further. In 1956, he proclaims formlessness as the general maxim of his creative practice—and a way of life. Borrowing Trotsky’s idea of "permanent revolution", he undertakes a negation of aesthetic and social norms under the banner of incessant change. Founded on welcoming disruptions and transformations, his life’s work slyly charts a richly varied course through six decades.

He creates sculptures, paintings, drawings, furniture, posters, performances, concepts for architectures and interiors. Bringing an anarchical spirit to the everyday, his work sometimes borders on anti-art. Oberhuber is also an exhibition organizer and gallery operator, curating over six hundred projects, some of which spark important innovations in Austrian contemporary art. In presenting a selection of mostly sculptural work dating from between 1967 and 2013 no more than a sliver of Oswald Oberhuber’s oeuvre—KOW also welcomes an artist who is family: following in their father’s footsteps, Nikolaus and Raphael Oberhuber have emerged as gallerists and exhibition makers in their own right.

Oswald Oberhubers Oeuvre entspringt dem Geist der Informellen Kunst der Nachkriegszeit. Die mochte sich nicht länger an klassische Form- und Kompositionsprinzipien halten, Oberhuber trägt mit informellen Skulpturen zu diesem Aufbruch bei. Der Tiroler geht aber bald weiter. 1956 erklärt er Formlosigkeit zur generellen Maxime seiner künstlerischer Praxis – und zu einer Lebenshaltung. Er leiht sich Leo Trotzkis Begriff der "permanenten Revolution" und macht die "permanente Veränderung" zur Losung seiner Negation ästhetischer und sozialer Normen. So öffnet sich das beginnende Lebenswerk für wiederkehrende Sprünge und Wandlungen und bewegt sich mit Chuzpe durch sechs Jahrzehnte.

Plastiken entstehen, Gemälde, Zeichnungen, Möbel, Plakate, Performances, Architektur- und Raumkonzepte. Ihr alltäglich-anarchistischer Esprit steht bisweilen der Anti-Kunst nahe. Zugleich kuratiert Oberhuber als Ausstellungsmacher und Galerist über 600 Projekte, manche davon geben der österreichischen Gegenwartskunst Schlüsselimpulse. Wir zeigen eine Auswahl vor allem skulpturaler Arbeiten von 1967 bis 2013 und damit nur einen Ausschnitt des Wirkens von Oswald Oberhuber, mit dem wir zugleich ein Familienmitglied bei KOW begrüßen. Nikolaus und Raphael Oberhuber knüpfen als Galeristen und Austellungsmacher an die Praxis ihres Vaters an.

Oswald Oberhuber, Installation view KOW
Oswald Oberhuber, Installation view KOW

Barbara Hammer’s renown is primarily based on her Lesbian-feminist interventions into the male-dominated realms of filmmaking and visual art. We zoom in on the crucial years between 1968 and 1972, when the Californian artist found her own voice, presenting previously unpublished works on paper that illuminate how her approach to visual art informs her use of filmic structures and materials. Three films created between 1984 and 1988 exemplify her later deconstructions of American consumerism, making short work of much that was (and still is) widely regarded as perfectly normal. Hammer explodes conventional public opinion to make room for perspectives that run counter to the usual theatrics of femininity in the domestic sphere, media, and technology.

Text: Alexander Koch / Translation: Gerrit Jackson / Photos: Ladislav Zajac

Barbara Hammers Ruf gründet sich vor allem auf ihre lesbisch-feministischen Interventionen in die Männerdomänen der Film- und Kunstwelt. Wir zeigen den künstlerischen Aufbruch der Kalifornierin zwischen 1968 und 1972 mit unveröffentlichten Arbeiten auf Papier, die Hammers bildnerischen Zugang zu filmischen Strukturen und Materialien erhellen. Daneben stehen beispielhaft drei Filme aus den Jahren 1984 bis 1988 für ihre späteren Dekonstruktionen US-amerikanischer Konsum- und Meinungsgepflogenheiten. Hier bleibt wenig von dem stehen, das vielen (immer noch) normal erscheint. Hammer schaufelt den Blick frei für Gegenperspektiven auf die übliche Veranstaltung von Weiblichkeit in Heim, Medien und Technologie.

Text: Alexander Koch / Fotos: Ladislav Zajac

Barbara Hammer, No No Nooky T.T., 1987, Transferred 16mm film, color, sound, 12 min
Barbara Hammer, No No Nooky T.T., 1987, Transferred 16mm film, color, sound, 12 min
Barbara Hammer, No No Nooky T.T., 1987, Transferred 16mm film, color, sound, 12 min
Barbara Hammer, Sugar Pill, 1984, Transferred 16mm film, color, sound, 4 min
Barbara Hammer & Oswald Oberhuber, Installation view KOW
Barbara Hammer, Doll House, 1984, Transferred 16mm film, color, sound, 4 min
Barbara Hammer & Oswald Oberhuber, Installation view KOW
Barbara Hammer & Oswald Oberhuber, Installation view KOW
Barbara Hammer, Lunar View 5, 1969, Acrylic, ink on paper
Barbara Hammer & Oswald Oberhuber, Installation view KOW
Barbara Hammer & Oswald Oberhuber, Installation view KOW
Barbara Hammer, Installation view KOW
Oswald Oberhuber, Untitled, 1969, Solid wood base nailed, dispersion, various metal parts, Untitled, 2008, Acrylic on canvas
Oswald Oberhuber, Installation view KOW
Barbara Hammer, Chumash, 1969/1971, Acrylic on paper
Barbara Hammer & Oswald Oberhuber, Installation view KOW
Barbara Hammer, Chumash Bright, 1969/1971, Acrylic on paper

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Current

Upcoming

2024

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My Mountain Has No Summit

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Nov 18, 2023 – Feb 25, 2024

2023

Teatro Popular

, Peter Friedl
Sep 15 – Nov 4, 2023

Like a Good, Good, Good Boy

, Hiwa K
Apr 28 – Jul 22, 2023

Casa Negra

, Marco A. Castillo
Mar 17 – Apr 15, 2023

Barbara Hammer & Hudinilson Jr

, Estate of Barbara Hammer, Hudinilson Jr
Mar 17 – Apr 15, 2023

Watching TV in Narva

, Tobias Zielony
Jan 28 – Mar 4, 2023

Das Auto Rosi aber

, Anna Boghiguian, Candice Breitz, Marco A. Castillo, Alice Creischer, Chto Delat, Heinrich Dunst, Anna Ehrenstein, Peter Friedl, Sophie Gogl, Clegg & Guttmann, Estate of Barbara Hammer, Hiwa K, Simon Lehner, Renzo Martens, Oswald Oberhuber, Mario Pfeifer, Santiago Sierra, Michael E. Smith, Franz Erhard Walther
Nov 26, 2022 – Jan 14, 2023

2022

Proof of the Unthinkable

, Mario Pfeifer
Sep 16 – Nov 12, 2022

JOINT VENTURES: Carlos∕Ishikawa, London

Richard Sides – Basic Vision
Sep 16 – Nov 12, 2022

KOW at Sperling, Munich: Various Others 2022

, Anna Ehrenstein, Andrew Gilbert
Sep 10 – Oct 15, 2022

Latest News

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Jul 15 – Aug 20, 2022

Canary Archive

, Chto Delat
Jul 15 – Aug 20, 2022

KOW at LA MAISON DE RENDEZ–VOUS, Brussels: Kleine Beestjes

, Sophie Gogl
Jul 6 – Aug 31, 2022

Anna Boghiguian

, Anna Boghiguian
Apr 29 – Jun 25, 2022

Anna Boghiguian / Alice Creischer

, Anna Boghiguian, Alice Creischer
Apr 29 – Jun 25, 2022

BALOT

, CATPC, Renzo Martens
Feb 11 – Apr 8, 2022

The Albanian Conference: Home Is Where The Hatred Is

, Anna Ehrenstein, feat. DNA, Fadescha, Rebecca-Pokua Korang
Nov 12, 2021 – Jan 29, 2022

Idea / Ideal

, Marco A. Castillo
Nov 12, 2021 – Jan 29, 2022

2021

Michael E. Smith

, Michael E. Smith
Sep 10 – Oct 31, 2021

The Bell Project

, Hiwa K
Jun 18 – Jul 24, 2021

Joint Ventures: Felix Gaudlitz, Vienna

Milena Büsch, Simon Lässig, Vera Lutz
Jun 18 – Jul 24, 2021

Jars

, Sophie Gogl
May 1 – Jul 24, 2021

What must not be, cannot be

, Mario Pfeifer
May 1 – Jun 12, 2021

Joint Ventures: Galerie nächst St. Stephan Rosemarie Schwarzwälder, Wien

Sonia Leimer – Junks of Joy
May 1 – Jun 12, 2021

Downstairs: Forced Love

, CATPC
Mar 26 – Apr 18, 2021

Permanente Veränderung

, Oswald Oberhuber
Mar 8 – Apr 18, 2021

JOINT ventures: Modern Art, London

Collier Schorr - Day for Night (1992/2021)
Mar 8 – Apr 18, 2021

Online exhibition: works on paper

, Oswald Oberhuber
Feb 1 – Mar 26, 2021

KOLONNEN - hohenzollern ist jetzt ein Verb

, Dierk Schmidt
Nov 20, 2020 – Jan 30, 2021

Downstairs: Airmail Paintings 186 and 192

, Eugenio Dittborn
Nov 20, 2020 – Jan 30, 2021

Online exhibition: The films

, Eugenio Dittborn
Dec 4, 2020 – Jan 31, 2021

2020

Online exhibition: One night in a social network

, Chto Delat
Oct 4 – Dec 4, 2020

Would You Like to Meet Your Neighbor?

, Estate of Barbara Hammer
Sep 11 – Nov 7, 2020

Downstairs: Two recent films

, Tobias Zielony
Sep 11 – Nov 7, 2020

OUT OF THE DARK II

, Candice Breitz, Chto Delat, Clegg & Guttmann, Alice Creischer, Heinrich Dunst, Estate of Barbara Hammer, The Cabinet of Ramon Haze, Hiwa K, Frédéric Moser & Philippe Schwinger, Oswald Oberhuber, Mario Pfeifer, Dierk Schmidt, Santiago Sierra, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, CATPC, Anna Ehrenstein, Christoph Schäfer
May 23 – Aug 15, 2020

Online exhibition: The Illusion of a Crowd

, Clemens von Wedemeyer
Apr 7 – May 31, 2020

Labour

, Candice Breitz
Feb 29 – Apr 30, 2020

Machines to change the world

Elena Asins
Feb 15 – Mar 14, 2020

Downstairs: Maschinen zur Veränderung der Welt

, The Cabinet of Ramon Haze
Feb 15 – Mar 14, 2020

TOASTED ANGELS, SOUNDS OF STEEL

, Estate of León Ferrari
Nov 23, 2019 – Feb 1, 2020

Michael E. Smith

, Michael E. Smith
Sep 13, 2019 – Jan 25, 2020

2019

Stadtschlawinereien

, Alice Creischer, Dierk Schmidt, Michael E. Smith, Brandlhuber+, Larissa Fassler, Adelita Husni-Bey, Peng!, Andrea Pichl, Andreas Siekmann, Bárbara Wagner & Benjamin de Burca, Weekend & Plaste, et al.
Sep 7 – Nov 9, 2019

Oberhuber. Un futuro.

, Oswald Oberhuber
May 31 – Jul 27, 2019

Clegg & Guttmann and Franz Erhard Walther

, Clegg & Guttmann, Franz Erhard Walther
Apr 26 – Jul 27, 2019

Make up

, Tobias Zielony
Mar 2 – May 18, 2019

Ostalgie

Henrike Naumann
Feb 2 – Apr 28, 2019

His Master's Voice

, Alice Creischer
Nov 24, 2018 – Jan 19, 2019

Crusoe

, Eugenio Dittborn
Nov 24, 2018 – Jan 19, 2019

Contribution to Light. The Early Works of Barbara Hammer

, Estate of Barbara Hammer
Sep 13, 2018 – Jan 31, 2019

2018

Was euch am Leben hält, ist, was bei uns zu Asche zerfällt *

, Alice Creischer, Mario Pfeifer, Michael E. Smith, Tobias Zielony, Henrike Naumann
Sep 8 – Nov 10, 2018

EL OTRO, EL MISMO / THE OTHER, THE SAME

Los Carpinteros
Apr 28 – Jul 21, 2018

Maskirovka

, Tobias Zielony
Mar 24 – Apr 15, 2018

Double Bodies

, Frédéric Moser & Philippe Schwinger
Feb 10 – Mar 17, 2018

Hotel Résistance

Ahmet Öğüt
Nov 25, 2017 – Jan 28, 2018

2017

Michael E. Smith

, Michael E. Smith
Sep 16 – Nov 5, 2017

Love Story

, Candice Breitz
Apr 29 – Jul 30, 2017

On the Possibility of Light

, Chto Delat
Feb 18 – Apr 9, 2017

On Fear and Education, Disenchantment and Justice, Protest and Disunion in Saxony / Germany

, Mario Pfeifer
Dec 1, 2016 – Apr 15, 2017

The Cabinet of Ramon Haze

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Nov 19, 2016 – Jan 29, 2017

Things, Not Words

, Heinrich Dunst
Nov 19, 2016 – Jan 29, 2017

2016

Barbara Hammer & Oswald Oberhuber

, Estate of Barbara Hammer, Oswald Oberhuber
Sep 17 – Nov 6, 2016

Out Of The Dark

, Chto Delat, Alice Creischer, Eugenio Dittborn, Heinrich Dunst, Estate of Barbara Hammer, Hiwa K, Renzo Martens, Chris Martin, Frédéric Moser & Philippe Schwinger, Mario Pfeifer, Dierk Schmidt, Tina Schulz, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, The Cabinet of Ramon Haze
Jun 26 – Jul 31, 2016

The Citizen

, Tobias Zielony
Apr 30 – Jun 12, 2016

This Lemon Tastes of Apple

, Hiwa K
Apr 30 – Jun 12, 2016

Broken Windows 6.3

, Dierk Schmidt
Mar 12 – Apr 16, 2016

Cast Behind You The Bones Of Your Mother

, Clemens von Wedemeyer
Dec 19, 2015 – Feb 27, 2016

2015

Left To Our Own Devices

Hito Steyerl
Sep 17 – Dec 5, 2015

A Summer Of Films

, Chto Delat, Alice Creischer, Eugenio Dittborn, Heinrich Dunst, Estate of Barbara Hammer, Renzo Martens, Frédéric Moser & Philippe Schwinger, Mario Pfeifer, Tina Schulz, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, Screening program
Jun 28 – Jul 26, 2015

Approximation In The Digital Age To A Humanity Condemned To Disappear

, Mario Pfeifer
May 2 – Jun 25, 2015

A Lucky Day

, Renzo Martens, CATPC
May 2 – Jul 26, 2015

Time Capsule. Artistic Report on Catastrophes and Utopia

, Chto Delat
Feb 28 – Apr 18, 2015

Have A Crush

, Estate of Barbara Hammer
Jan 10 – Feb 14, 2015

Dream Lovers. The Films 2008–2014

, Tobias Zielony
Dec 6, 2014 – Feb 14, 2015

2014

Dämmstoffe

, Heinrich Dunst
Nov 1 – Dec 18, 2014

Pinturas Aeropostales

, Eugenio Dittborn
Sep 13 – Nov 23, 2014

Cool Drink on a Hot Day

, Chris Martin
May 3 – Jul 27, 2014

In The Stomach Of The Predators

, Alice Creischer
Mar 1 – Apr 19, 2014

2013

Körperformen

, Franz Erhard Walther
Nov 30 – Feb 13, 2013

40 cbm Of Earth From The Iberian Peninsula

, Santiago Sierra
Sep 14 – Oct 30, 2013

Michael E. Smith II

, Michael E. Smith
Apr 27 – Jul 13, 2013

Dignity

, Estate of Barbara Hammer
Feb 16 – Apr 14, 2013

Believers

, Alice Creischer, Chto Delat, Estate of Barbara Hammer, Frédéric Moser & Philippe Schwinger, Michael E. Smith, Franz Erhard Walther, Tobias Zielony, Zanny Begg, Joseph Beuys, Arno Brandlhuber, Ines Doujak, Philippe Halsman, Adrian Piper, Pussy Riot, Christoph Schlingensief, Andreas Siekmann, Santiago Sierra, Andreas Slominski, Sean Snyder
Nov 10, 2012 – Feb 3, 2013

2012

Im Archipel

Arno Brandlhuber
Sep 8 – Oct 21, 2012

Das Etablissement der Tatsachen The Establishment of Matters of Fact

, Alice Creischer
Apr 27 – Jul 22, 2012

Manitoba

, Tobias Zielony
Feb 3 – Apr 15, 2012

Tina Schulz

, Tina Schulz
Nov 5, 2011 – Jan 28, 2012

2011

A Formal Film In Nine Episodes, Prologue & Epilogue

, Mario Pfeifer
Sep 10 – Oct 28, 2011

Social Violence

, Santiago Sierra, Cady Noland
Apr 30 – Jul 29, 2011

Barbara Hammer

, Estate of Barbara Hammer
Feb 12 – Mar 17, 2011

Franz Erhard Walther

, Franz Erhard Walther
Nov 6, 2010 – Feb 11, 2011

2010

Chris Martin

, Chris Martin
Sep 11 – Oct 24, 2010

Michael E. Smith

, Michael E. Smith
Jun 12 – Jul 25, 2010

Vele, Zgora

, Tobias Zielony
May 1 – Jun 5, 2010

The Fourth Wall

, Clemens von Wedemeyer
Jan 23 – Apr 22, 2010

Antirepresentationalism 3: Issues of Empathy Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Ramon Haze, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski
Nov 28, 2009 – Jan 15, 2010

2009

Antirepresentationalism 2: Trouble with Realism. Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Famed, Markus Dressen, Andreas Grahl, Henriette Grahnert, Eiko Grimmberg/ Arthur Zalewski, Mark Hamilton, Ramon Haze, Oliver Kossack, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau (Marcel Bühler, Alexander Koch), Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber
Oct 17 – Nov 21, 2009

Antirepresentationalism 1: Politics of Redescription. Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski
Sep 4 – Oct 10, 2009

KOW ISSUE 5: Spirituality and Anti-Universalism

, Chris Martin
May 1 – May 30, 2009

KOW ISSUE 4: THE SOCIAL USE OF SIGNS (OBLIGATION TO EXPRESS)

, Tina Schulz
Apr 3 – Apr 27, 2009

KOW ISSUE 3: Detroits' Post-Fordism

, Michael E. Smith
Mar 27 – Mar 29, 2009

KOW ISSUE 1: Participatory Minimalism

, Franz Erhard Walther
Feb 27 – Mar 21, 2009

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