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Yours, KOW

Would You Like to Meet Your Neighbor?

, Barbara Hammer

Opening  ›  Sep 11, 11:00 AM

Sep 11 – Nov 7, 2020

DeutschEnglish

On the occasion of the 2020 Gallery Weekend Berlin, KOW is honored to showcase a selection from the wide-ranging oeuvre of Barbara Hammer (1939–2019), an American pioneer of experimental film, feminist art, and queer cinema.

KOW ist es eine Ehre, zum Gallery Weekend Berlin 2020 einen Ausschnitt aus dem weitreichenden Werk von Barbara Hammer (USA, 1939–2019) zu zeigen, einer Pionierin des Experimentalfilms, der feministischen Kunst und des queeren Kinos.

We present films from the 1980s that, to this day, have mostly been screened at arthouse theaters and festivals. From the earliest days of her career, in 1968, Hammer located her work in the art world, but, at that time, film and video were media that were rarely included in exhibitions, and lesbian and queer voices like Hammer’s were struggling to be heard in public spaces. Only now, after exhibitions mounted by prominent collections and institutions, is her art finally gaining traction in the cultural consciousness of wider audiences.

Barbara Hammer framed deviant perspectives on social relations, on the female body, and on the people who mattered to her, devising an alternative to the male gaze that long ruled, and still remains hegemonic in the worlds of art and cinema. She turned her attention to images and stories from lives—her own and those of other women and men—that were suppressed by the modern apparatuses of the camera and the editing suite, sound and technical abstraction, but also by politics and the medical and media industries; images and stories that were time and again edited out of the common psyche and not even taken into consideration. Hammer put her hand to the task, earnestly and joyfully. She grappled with herself, with her media, with situations that were challenging, with a canon that included some and excluded others, with the aesthetics of her time. And her time spanned half a century.

Focusing on the 1980s—when Hammer left California for New York—our exhibition turns the spotlight on an artist confidently pursuing an experimental practice and expanding on the themes of her early work, while insistently enlarging the radius of her activities and her engagement with politics and media.

Wir stellen Filme aus den achtziger Jahren aus, die seit der Zeit ihrer Entstehung vornehmlich in Kinosälen und auf Festivals zu sehen waren. Zwar verortete Hammer ihre Arbeit von Beginn an (ab 1968) in der Kunstwelt, jedoch zu einer Zeit, als Film- und Videoausstellungen noch ungewöhnlich waren und lesbische und queere Stimmen wie Hammers eigene sich öffentliche Räume erst erkämpfen mussten. Erst heute, nach Ausstellungen in bedeutenden Sammlungen und Institutionen, dringt ihr Werk allmählich in das kulturelle Bewusstsein eines größeren Publikums.

Barbara Hammer formte abweichende Blicke auf soziale Beziehungen, auf den weiblichen Körper und auf Menschen, die ihr etwas bedeuteten. Einen anderen Blick als den männlichen, der die Kunst- und Kinowelt lange beherrschte und noch immer bestimmt. Es ging ihr um Bilder und Erzählungen aus Leben – dem eigenen und den Leben anderer Frauen und Männer –, die durch die modernen Apparaturen von Kamera und Schnitt, Ton und technischer Abstraktion, aber auch von Politik, Medizin- und Medienwirtschaft immer wieder aus dem Common Sense herausgeschnitten oder darin gar nicht erst erwogen wurden. Hammer legte Hand daran, mit Ernst und Freude. An sich selbst, an ihre Medien, an Situationen, die schwierig waren, an den Kanon, der manche ein- und manche ausschließt, an die Ästhetik ihrer Zeit. Und ihre Zeit währte ein halbes Jahrhundert.

Unser Fokus auf die 1980er Jahre – Hammer zog von Kalifornien nach New York – zeigt die Künstlerin inmitten einer selbstbewussten experimentellen Praxis, während sie die Themen ihres Frühwerks fortschreibt, dabei den Radius des eigenen Tuns und des Umgangs mit Politik und Medien indes ständig erweitert.

Barbara Hammer, Would You Like to Meet Your Neighbor?, exhibition view KOW 2020, photo: Ladislav Zajac
DeutschEnglish

Synch Touch (1981, 10:07 min) is one of her programmatic films, championing a lesbian-feminist aesthetic that identifies the conjunction of touching and seeing as the basis for a “new cinema.” Rather than an abstraction disassociated from the body, the filmic gaze remains tethered to the hand, the flesh, the physical senses and, in artistic terms, to painting. “We are in a culture,” a voice observes toward the end, “where the expression of the heart and the senses are repressed. The heart of film is the rapport between touch and sight.”

Synch Touch (1981, 10:07 min) ist einer ihrer programmatischen Filme, der für eine lesbisch-feministische Ästhetik einsteht, die in der Verbindung aus Berührung und Sehen die Grundlage für ein „neues Kino“ erkennt. Der filmische Blick wird nicht vom Körper gelöst und abstrahiert, sondern bleibt an die Hand, den Leib, die physischen Sinne gebunden und in künstlerischer Hinsicht an die Materie der Malerei. „We are in a culture”, hören wir am Ende, „where the expression of the heart and the senses are repressed. The heart of film is the rapport between touch and sight”.

Sync Touch, 16 mm film on video, color, sound, 10:07 min

DeutschEnglish

Place Mattes (1987, 7:36 min) revisits this sensual approach to filmmaking, but also subjects it to critical inquiry. Hammer breaks her own experience of nature up into two visual planes which, again, unmistakably reflect the inspiration she found in painting. A gulf opens between them: in the background, the landscapes of national parks; in the foreground, the filmmaker’s body, trying to touch a world that, in experimental film’s spaces of color and surface, consists solely of projected images that are incapable of physical encounter.

In Place Mattes (1987, 7:36 min) wird dieser filmisch-sinnliche Zugang aufgegriffen, aber auch problematisiert. Hammer zerbricht ihr eigenes Naturerlebnis in zwei, wiederum stark malerisch aufgefasste, Bildebenen, zwischen denen eine Lücke klafft. Im Hintergrund die Landschaften von Nationalparks, im Vordergrund der Körper der Filmemacherin, der eine Welt berühren will, die in den Farb- und Flächenräumen des experimentellen Films allein aus projizierten Bildern besteht, die einander nicht physisch begegnen.

Place Mattes, 1987, 16 mm film on video, 7:36 min, color, sound
sound score: Terry Setter

DeutschEnglish

No No Nooky T.V. (1987, 11:52 min) marks the culmination of Hammer’s early work with computer animation. She produces the material on an Amiga computer and records the images on the screen with a 16mm camera. A comical discrepancy emerges in the digital word and image space between the experience of female sexuality and its stereotypical male perception. Meanwhile, the algorithmic machine, spitting out erotic slogans and pictures, turns into a fetish of its own kind.

No No Nooky T.V. (1987, 11:52 min) markiert den Höhepunkt von Hammers früher Arbeit mit Computeranimationen. Sie arbeitet mit einem Amiga-Computer und filmt auf 16mm den Monitor ab. Im digitalen Wort- und Bildraum klaffen auf humorige Weise das Erleben weiblicher Sexualität und die stereotype männliche Wahrnehmung dieser Sexualität auseinander, während die Rechenmaschine, die erotische Sprüche und Bilder spuckt, selbst zum Fetisch wird.

No No Nooky T.V., 1987, 16mm film on SD video, color, sound, 11:52 min

DeutschEnglish

Our exhibition concludes with two films that pay homage to Barbara Hammer’s performative and activist practice: Would You Like to Meet Your Neighbor (1985, 12:39 min) and Audience (1982, 32:35 min). To implement the first action, Hammer went underground. “Dressed” in the New York subway map, she is seen interviewing her fellow riders: which books do they read, are they feminists, are they curious about the people with whom they share the spaces of public transit (or why not), and what do they think of their city, themselves, and the outgoing woman with her camera and microphone who is asking these nosy questions?

Zwei Filme, die der performativen und aktivistischen Praxis Barbara Hammers Tribut zollen, bilden den Abschluss unserer Ausstellung: Would You Like to Meet Your Neighbor? (1885, 12:39 min) und Audience (1982, 32:35 min). Die erste Aktion führte Hammer in der New Yorker U-Bahn durch, wo sie, „bekleidet“ mit einer New York Subway Map, Mitfahrende befragt, welche Bücher sie lesen, ob sie Feministen sind, ob sie sich für ihre Mitmenschen im gleichen öffentlichen Transitraum interessieren (oder warum nicht), wie sie über ihre Stadt denken, über sich und über die aufgeschlossene Frau mit der Kamera und dem Mikrofon, die ihnen neugierige Fragen stellt.

Would you like to meet your neighbor? A New York subway tape, 1985, video, 12:39 min, color, sound

DeutschEnglish

Audience is an extraordinary document, a film that stands apart from Hammer’s typical camerawork. When her films were shown in retrospectives in arthouse theaters in San Francisco, London, Toronto, and Montreal in the early 1980s, she posted herself at the entrance and questioned moviegoers about the expectations they were bringing to the screening and their thoughts on sexuality and representation. The result is a singular portrait of an era when women were constructing and publicly discussing—in effect, modeling—a self-image that would be influential for decades to come. A thoughtful and complex image of women who love women and diverse others and who want a cinema that captures—that depicts and creates—their desires and hopes.

Audience ist eine außergewöhnliche Abweichung von Hammers typischer Filmarbeit. Bei retrospektiven Screenings ihrer Filme in Programmkinos in San Francisco, London, Toronto und Montreal Anfang der 1980er Jahre befragt sie am Eingang Kinobesucher*innen, was sie sich vom Kinobesuch erhoffen und wie sie über (lesbische) Sexualität und Repräsentation denken. Entstanden ist dabei ein einzigartiges Portrait einer Epoche, in der Frauen ein Selbstverständnis formten und öffentlich miteinander diskutierten – es vertraten –, das entscheidend in die Zukunft hineinwirkte. Ein nachdenkliches, komplexes Bild von Frauen, die Frauen und auch viele andere Menschen lieben und die sich ein Kino wünschen, das ihre Wünsche und Hoffnungen zeigen kann, malen kann, schaffen kann.

Audience, 1982, 16 mm film on HD video, 32:35 min, b&w, sound

Text: Alexander Koch
Translation: Gerrit Jackson

Barbara Hammer, No No Nooky T.V., 1987, 16mm on SD video, 11:52 min, color, sound, exhibition view KOW 2020, photo: Ladislav Zajac
Barbara Hammer, Would You Like to Meet Your Neighbor?, exhibition view KOW 2020, photo: Ladislav Zajac
Barbara Hammer, Would You Like to Meet Your Neighbor?, exhibition view KOW 2020, photo: Ladislav Zajac
Barbara Hammer, Would You Like to Meet Your Neighbor?, exhibition view KOW 2020, photo: Ladislav Zajac
Barbara Hammer, No No Nooky T.V., 1987, 16mm on SD video, 11:52 min, color, sound, exhibition view KOW 2020, photo: Ladislav Zajac
Barbara Hammer, Would You Like to Meet Your Neighbor?, exhibition view KOW 2020, photo: Ladislav Zajac

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Current

Upcoming

2025

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2024

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, Anna Boghiguian, Candice Breitz, CATPC, Alice Creischer, Chto Delat, Clegg & Guttmann, Heinrich Dunst, Anna Ehrenstein, León Ferrari, Peter Friedl, Sophie Gogl, Barbara Hammer, Ramon Haze, Hiwa K, Simon Lehner, Mario Pfeifer, Dierk Schmidt, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, Anna Ehrenstein & Rebecca Pokua Korang, Sophia Eisenhut & Max Eulitz, Hudinilson Jr., Pınar Öğrenci, Helena Uambembe
Sep 7 – Nov 16, 2024

Tools for Conviviality (Am Schwarzenbergplatz, Vienna)

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Jun 21 – Jul 7, 2024

Social Geometry

, Clemens von Wedemeyer
Apr 26 – Jun 29, 2024

I'll Remember April

, Anna Boghiguian, Alice Creischer, Eugenio Dittborn, Sophie Gogl, Barbara Hammer, Sandra Brandeis Crawford, Goshka Macuga, Monsieur Zohore
Apr 26 – Jun 29, 2024

No more, not yet (Am Schwarzenbergplatz, Vienna)

, Alice Creischer, Heinrich Dunst, Franz Erhard Walther, Frank Heath, Nova Jiang, Thomas Lerooy, Hanne Lippard, Emile Rubino, Nora Turato
May 15 – Jun 15, 2024

exercises in popular gymnastics

, Santiago Sierra
Mar 9 – Apr 13, 2024

CTRL V (Am Schwarzenbergplatz, Vienna)

, CATPC, Sophie Gogl, Simon Lehner, Julien Bismuth, Tatjana Danneberg, Sam Ekwurtzel, Katja Mater, Florian Meisenberg
Apr 3 – May 11, 2024

Fremdkörper (Am Schwarzenbergplatz, Vienna)

, Candice Breitz, Marco A. Castillo, Dierk Schmidt, Sharona Franklin, Baseera Khan, Brilant Milazimi, Hana Miletic, Mie Yim
Feb 17 – Mar 23, 2024

My Mountain Has No Summit

, Simon Lehner
Nov 18, 2023 – Feb 25, 2024

2023

Teatro Popular

, Peter Friedl
Sep 15 – Nov 4, 2023

Like a Good, Good, Good Boy

, Hiwa K
Apr 28 – Jul 22, 2023

Casa Negra

, Marco A. Castillo
Mar 17 – Apr 15, 2023

Barbara Hammer & Hudinilson Jr

, Barbara Hammer, Hudinilson Jr
Mar 17 – Apr 15, 2023

Watching TV in Narva

, Tobias Zielony
Jan 28 – Mar 4, 2023

Das Auto Rosi aber

, Anna Boghiguian, Candice Breitz, Marco A. Castillo, Alice Creischer, Chto Delat, Heinrich Dunst, Anna Ehrenstein, Peter Friedl, Sophie Gogl, Clegg & Guttmann, Barbara Hammer, Hiwa K, Simon Lehner, Renzo Martens, Oswald Oberhuber, Mario Pfeifer, Santiago Sierra, Michael E. Smith, Franz Erhard Walther
Nov 26, 2022 – Jan 14, 2023

2022

Proof of the Unthinkable

, Mario Pfeifer
Sep 16 – Nov 12, 2022

JOINT VENTURES: Carlos∕Ishikawa, London

Richard Sides – Basic Vision
Sep 16 – Nov 12, 2022

KOW at Sperling, Munich: Various Others 2022

, Anna Ehrenstein, Andrew Gilbert
Sep 10 – Oct 15, 2022

Latest News

Istvan Kantor
Jul 15 – Aug 20, 2022

Canary Archive

, Chto Delat
Jul 15 – Aug 20, 2022

KOW at LA MAISON DE RENDEZ–VOUS, Brussels: Kleine Beestjes

, Sophie Gogl
Jul 6 – Aug 31, 2022

Anna Boghiguian

, Anna Boghiguian
Apr 29 – Jun 25, 2022

Anna Boghiguian / Alice Creischer

, Anna Boghiguian, Alice Creischer
Apr 29 – Jun 25, 2022

BALOT

, CATPC, Renzo Martens
Feb 11 – Apr 8, 2022

The Albanian Conference: Home Is Where The Hatred Is

, Anna Ehrenstein, feat. DNA, Fadescha, Rebecca-Pokua Korang
Nov 12, 2021 – Jan 29, 2022

Idea / Ideal

, Marco A. Castillo
Nov 12, 2021 – Jan 29, 2022

2021

Michael E. Smith

, Michael E. Smith
Sep 10 – Oct 31, 2021

The Bell Project

, Hiwa K
Jun 18 – Jul 24, 2021

Joint Ventures: Felix Gaudlitz, Vienna

Milena Büsch, Simon Lässig, Vera Lutz
Jun 18 – Jul 24, 2021

Jars

, Sophie Gogl
May 1 – Jul 24, 2021

What must not be, cannot be

, Mario Pfeifer
May 1 – Jun 12, 2021

Joint Ventures: Galerie nächst St. Stephan Rosemarie Schwarzwälder, Wien

Sonia Leimer – Junks of Joy
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Downstairs: Forced Love

, CATPC
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Permanente Veränderung

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Mar 8 – Apr 18, 2021

JOINT ventures: Modern Art, London

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Nov 20, 2020 – Jan 30, 2021

Downstairs: Airmail Paintings 186 and 192

, Eugenio Dittborn
Nov 20, 2020 – Jan 30, 2021

Online exhibition: The films

, Eugenio Dittborn
Dec 4, 2020 – Jan 31, 2021

2020

Online exhibition: One night in a social network

, Chto Delat
Oct 4 – Dec 4, 2020

Would You Like to Meet Your Neighbor?

, Barbara Hammer
Sep 11 – Nov 7, 2020

Downstairs: Two recent films

, Tobias Zielony
Sep 11 – Nov 7, 2020

OUT OF THE DARK II

, Candice Breitz, Chto Delat, Clegg & Guttmann, Alice Creischer, Heinrich Dunst, Barbara Hammer, Ramon Haze, Hiwa K, Frédéric Moser & Philippe Schwinger, Oswald Oberhuber, Mario Pfeifer, Dierk Schmidt, Santiago Sierra, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, CATPC, Anna Ehrenstein, Christoph Schäfer
May 23 – Aug 15, 2020

Online exhibition: The Illusion of a Crowd

, Clemens von Wedemeyer
Apr 7 – May 31, 2020

Labour

, Candice Breitz
Feb 29 – Apr 30, 2020

Machines to change the world

Elena Asins
Feb 15 – Mar 14, 2020

Downstairs: Maschinen zur Veränderung der Welt

, Ramon Haze
Feb 15 – Mar 14, 2020

TOASTED ANGELS, SOUNDS OF STEEL

, León Ferrari
Nov 23, 2019 – Feb 1, 2020

Michael E. Smith

, Michael E. Smith
Sep 13, 2019 – Jan 25, 2020

2019

Stadtschlawinereien

, Alice Creischer, Dierk Schmidt, Michael E. Smith, Brandlhuber+, Larissa Fassler, Adelita Husni-Bey, Peng!, Andrea Pichl, Andreas Siekmann, Bárbara Wagner & Benjamin de Burca, Weekend & Plaste, et al.
Sep 7 – Nov 9, 2019

Oberhuber. Un futuro.

, Oswald Oberhuber
May 31 – Jul 27, 2019

Clegg & Guttmann and Franz Erhard Walther

, Clegg & Guttmann, Franz Erhard Walther
Apr 26 – Jul 27, 2019

Make up

, Tobias Zielony
Mar 2 – May 18, 2019

Ostalgie

Henrike Naumann
Feb 2 – Apr 28, 2019

His Master's Voice

, Alice Creischer
Nov 24, 2018 – Jan 19, 2019

Crusoe

, Eugenio Dittborn
Nov 24, 2018 – Jan 19, 2019

Contribution to Light. The Early Works of Barbara Hammer

, Barbara Hammer
Sep 13, 2018 – Jan 31, 2019

2018

Was euch am Leben hält, ist, was bei uns zu Asche zerfällt *

, Alice Creischer, Mario Pfeifer, Michael E. Smith, Tobias Zielony, Henrike Naumann
Sep 8 – Nov 10, 2018

EL OTRO, EL MISMO / THE OTHER, THE SAME

Los Carpinteros
Apr 28 – Jul 21, 2018

Maskirovka

, Tobias Zielony
Mar 24 – Apr 15, 2018

Double Bodies

, Frédéric Moser & Philippe Schwinger
Feb 10 – Mar 17, 2018

Hotel Résistance

Ahmet Öğüt
Nov 25, 2017 – Jan 28, 2018

2017

Michael E. Smith

, Michael E. Smith
Sep 16 – Nov 5, 2017

Love Story

, Candice Breitz
Apr 29 – Jul 30, 2017

On the Possibility of Light

, Chto Delat
Feb 18 – Apr 9, 2017

On Fear and Education, Disenchantment and Justice, Protest and Disunion in Saxony / Germany

, Mario Pfeifer
Dec 1, 2016 – Apr 15, 2017

The Cabinet of Ramon Haze

, Ramon Haze
Nov 19, 2016 – Jan 29, 2017

Things, Not Words

, Heinrich Dunst
Nov 19, 2016 – Jan 29, 2017

2016

Barbara Hammer & Oswald Oberhuber

, Barbara Hammer, Oswald Oberhuber
Sep 17 – Nov 6, 2016

Out Of The Dark

, Chto Delat, Alice Creischer, Eugenio Dittborn, Heinrich Dunst, Barbara Hammer, Hiwa K, Renzo Martens, Chris Martin, Frédéric Moser & Philippe Schwinger, Mario Pfeifer, Dierk Schmidt, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, Ramon Haze
Jun 26 – Jul 31, 2016

The Citizen

, Tobias Zielony
Apr 30 – Jun 12, 2016

This Lemon Tastes of Apple

, Hiwa K
Apr 30 – Jun 12, 2016

Broken Windows 6.3

, Dierk Schmidt
Mar 12 – Apr 16, 2016

Cast Behind You The Bones Of Your Mother

, Clemens von Wedemeyer
Dec 19, 2015 – Feb 27, 2016

2015

Left To Our Own Devices

Hito Steyerl
Sep 17 – Dec 5, 2015

A Summer Of Films

, Chto Delat, Alice Creischer, Eugenio Dittborn, Heinrich Dunst, Barbara Hammer, Renzo Martens, Frédéric Moser & Philippe Schwinger, Mario Pfeifer, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, Screening program
Jun 28 – Jul 26, 2015

Approximation In The Digital Age To A Humanity Condemned To Disappear

, Mario Pfeifer
May 2 – Jun 25, 2015

A Lucky Day

, Renzo Martens, CATPC
May 2 – Jul 26, 2015

Time Capsule. Artistic Report on Catastrophes and Utopia

, Chto Delat
Feb 28 – Apr 18, 2015

Have A Crush

, Barbara Hammer
Jan 10 – Feb 14, 2015

Dream Lovers. The Films 2008–2014

, Tobias Zielony
Dec 6, 2014 – Feb 14, 2015

2014

Dämmstoffe

, Heinrich Dunst
Nov 1 – Dec 18, 2014

Pinturas Aeropostales

, Eugenio Dittborn
Sep 13 – Nov 23, 2014

Cool Drink on a Hot Day

, Chris Martin
May 3 – Jul 27, 2014

In The Stomach Of The Predators

, Alice Creischer
Mar 1 – Apr 19, 2014

2013

Körperformen

, Franz Erhard Walther
Nov 30 – Feb 13, 2013

40 cbm Of Earth From The Iberian Peninsula

, Santiago Sierra
Sep 14 – Oct 30, 2013

Michael E. Smith II

, Michael E. Smith
Apr 27 – Jul 13, 2013

Dignity

, Barbara Hammer
Feb 16 – Apr 14, 2013

Believers

, Alice Creischer, Chto Delat, Barbara Hammer, Frédéric Moser & Philippe Schwinger, Michael E. Smith, Franz Erhard Walther, Tobias Zielony, Zanny Begg, Joseph Beuys, Arno Brandlhuber, Ines Doujak, Philippe Halsman, Adrian Piper, Pussy Riot, Christoph Schlingensief, Andreas Siekmann, Santiago Sierra, Andreas Slominski, Sean Snyder
Nov 10, 2012 – Feb 3, 2013

2012

Im Archipel

Arno Brandlhuber
Sep 8 – Oct 21, 2012

Das Etablissement der Tatsachen The Establishment of Matters of Fact

, Alice Creischer
Apr 27 – Jul 22, 2012

Manitoba

, Tobias Zielony
Feb 3 – Apr 15, 2012

Tina Schulz


Nov 5, 2011 – Jan 28, 2012

2011

A Formal Film In Nine Episodes, Prologue & Epilogue

, Mario Pfeifer
Sep 10 – Oct 28, 2011

Social Violence

, Santiago Sierra, Cady Noland
Apr 30 – Jul 29, 2011

Barbara Hammer

, Barbara Hammer
Feb 12 – Mar 17, 2011

Franz Erhard Walther

, Franz Erhard Walther
Nov 6, 2010 – Feb 11, 2011

2010

Chris Martin

, Chris Martin
Sep 11 – Oct 24, 2010

Michael E. Smith

, Michael E. Smith
Jun 12 – Jul 25, 2010

Vele, Zgora

, Tobias Zielony
May 1 – Jun 5, 2010

The Fourth Wall

, Clemens von Wedemeyer
Jan 23 – Apr 22, 2010

Antirepresentationalism 3: Issues of Empathy Conceptual and Socially oriented Art in Leipzig 1997–2009

, Ramon Haze, Mario Pfeifer, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Ramon Haze, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski
Nov 28, 2009 – Jan 15, 2010

2009

Antirepresentationalism 2: Trouble with Realism. Conceptual and Socially oriented Art in Leipzig 1997–2009

, Ramon Haze, Mario Pfeifer, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Famed, Markus Dressen, Andreas Grahl, Henriette Grahnert, Eiko Grimmberg/ Arthur Zalewski, Mark Hamilton, Ramon Haze, Oliver Kossack, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau (Marcel Bühler, Alexander Koch), Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber
Oct 17 – Nov 21, 2009

Antirepresentationalism 1: Politics of Redescription. Conceptual and Socially oriented Art in Leipzig 1997–2009

, Ramon Haze, Mario Pfeifer, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski
Sep 4 – Oct 10, 2009

KOW ISSUE 5: Spirituality and Anti-Universalism

, Chris Martin
May 1 – May 30, 2009

KOW ISSUE 4: THE SOCIAL USE OF SIGNS (OBLIGATION TO EXPRESS)


Apr 3 – Apr 27, 2009

KOW ISSUE 3: Detroits' Post-Fordism

, Michael E. Smith
Mar 27 – Mar 29, 2009

KOW ISSUE 1: Participatory Minimalism

, Franz Erhard Walther
Feb 27 – Mar 21, 2009

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