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Yours, KOW

Stone Circles, 1983

16 mm film on video

Stone Circles is a celebration of ancient pre-patriarchal standing stones, mounds, and circles including Stonehenge and Avesbury.

"In Stone Circles, Hammer really leaves 'nation' as well as 'era' and creates a film poem on the prehistoric stone cultures of Britain. She films dolmens and Druid rock formations, including Stonehenge. An introductory section shows excerpts from books and diagrams which in their way document these stones and explain the stones' origins. Hammer takes the diagrams and playfully animates these scientific 'scale models' by filming colorful arrangements of small stones, clods of dirt, sticks, and grasses. She brings an animism to the subsequent images of the structures themselves, and this animism seems just as valid an approach to the stone formations as the historical/scientific speculations regarding their significance." — Claudia Gorbman, Jump Cut

Barbara Hammer, Stone Circles, 1983, transferred 16mm film, color, sound, 11:05 min, 7 + 2AP
Barbara Hammer, Stone Circles, 1983, transferred 16mm film, color, sound, 11:05 min, 7 + 2AP
Barbara Hammer, Stone Circles, 1983, transferred 16mm film, color, sound, 11:05 min, 7 + 2AP
Barbara Hammer, Stone Circles, 1983, transferred 16mm film, color, sound, 11:05 min, 7 + 2AP
Barbara Hammer, Stone Circles, 1983, transferred 16mm film, color, sound, 11:05 min, 7 + 2AP

16 mm film on video, color, sound, 11:05 min, 7 + 2AP

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Barbara Hammer

Barbara Hammer was born in Hollywood in 1939. Her documentaries and experimental films are among the earliest and most comprehensive depictions of lesbian identity, love, and sexuality. For more than five decades, Hammer was an increasingly influential voice of queer feminism, and a chronicler of women's self-empowerment in the U.S. and many other places around the world. Following film retrospectives at New York's MoMA in 2010, Tate Modern, London in 2012, and her first solo exhibitions at KOW beginning in 2011, the art world began to take an interest in Hammer's now historic body of work, which includes performances, installations, and works on paper. Numerous institutional exhibitions and successes followed, and today Hammer is considered one of the greatest examples of politically engaged feminist art. Hammer was a teacher for many years and held a professorship at the European Graduate School in Saas-Fee (CH). She passed away in 2019. Since, her work is still ongoingly displayed in major solo exhibitions such as Would You Like To Meet Your Neighbor? (Skulpturenmuseum Marl 2023), Women I Love (Ratio 3, San Francisco 2022 and Frans Josefs Kai 3, Vienna 2021), tell me there is a lesbian forever (Company Gallery, New York 2021), Sisters! (La Virreina Centre de la Imatge, Barceola 2020).



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