Uncheck the box to avoid the aggregation and analysis of your behaviour data collected on this website. Done
Looking for something specific?
Just start typing anywhere to search anything.

Yours, KOW

Vital Signs, 1991

Transferred 16 mm film

"Waltzing cheek-to-cheek with a grinning skeleton, filmmaker Barbara Hammer sets the tone ... . Hammer's Vital Signs is dedicated to a trio of losses, including her late father and Curt McDowell, a fellow filmmaker who died of AIDS in 1987. Her recurring motif of a danse macabre makes a jarring symbol for the will to reconcile spirit and body; as she caresses and cradles the all-too-familiar form, Hammer fashions an artful, elegantly disturbing keynote address." — Calvin Ahlgren, San Francisco Chronicle

"With so many of my friends and family dying and not knowing what to do with my grief, I turned to historic narratives of death. I found that in the past the dear ones were buried immediately outside the house by the doorstep leading to the 'world.' This was a way to daily embrace their memories and bring them back through our thoughts. I wanted to give a last kiss to Curt McDowell whose really great talent was cut short way too early, to the writer and activist, my friend Vito Russo, and to my dear father, John Wilbur Hammer. They are still the 'vital signs' of our time." — Barbara Hammer

This film is dedicated to John Wilbert Hammer, Curt McDowell, and Vito Russo.

Barbara Hammer, Vital Signs, 1991, Transferred 16mm film, 4:3, color, b&w, sound, 9:43 min, Edition of 7+ 2AP
Barbara Hammer, Vital Signs, 1991, Transferred 16mm film, 4:3, color, b&w, sound, 9:43 min, Edition of 7+ 2AP
Barbara Hammer, Vital Signs, 1991, Transferred 16mm film, 4:3, color, b&w, sound, 9:43 min, Edition of 7+ 2AP
Barbara Hammer, Vital Signs, 1991, Transferred 16mm film, 4:3, color, b&w, sound, 9:43 min, Edition of 7+ 2AP
Barbara Hammer, Vital Signs, 1991, Transferred 16mm film, 4:3, color, b&w, sound, 9:43 min, Edition of 7+ 2AP
Barbara Hammer, Vital Signs, 1991, Transferred 16mm film, 4:3, color, b&w, sound, 9:43 min, Edition of 7+ 2AP

Transferred 16mm film, 4:3, color, b&w, sound, 9:43 min, Edition of 7+ 2AP

  • INDEX:

Barbara Hammer

Barbara Hammer was born in Hollywood in 1939. Her documentaries and experimental films are among the earliest and most comprehensive depictions of lesbian identity, love, and sexuality. For more than five decades, Hammer was an increasingly influential voice of queer feminism, and a chronicler of women's self-empowerment in the U.S. and many other places around the world. Following film retrospectives at New York's MoMA in 2010, Tate Modern, London in 2012, and her first solo exhibitions at KOW beginning in 2011, the art world began to take an interest in Hammer's now historic body of work, which includes performances, installations, and works on paper. Numerous institutional exhibitions and successes followed, and today Hammer is considered one of the greatest examples of politically engaged feminist art. Hammer was a teacher for many years and held a professorship at the European Graduate School in Saas-Fee (CH). She passed away in 2019. Since, her work is still ongoingly displayed in major solo exhibitions such as Would You Like To Meet Your Neighbor? (Skulpturenmuseum Marl 2023), Women I Love (Ratio 3, San Francisco 2022 and Frans Josefs Kai 3, Vienna 2021), tell me there is a lesbian forever (Company Gallery, New York 2021), Sisters! (La Virreina Centre de la Imatge, Barceola 2020).



Full Biography

Close