Atlas 2003 ongoing (Updating the Arntz and Neurath Atlas) in collaboration with Andreas Siekmann

Installation

25 prints (digital pigment print, lightfast pigment on archival paper) presented partly on six mobile walls in juxtaposition with 15 pages of the historical Atlas Gesellschaft und Wirtschaft - Bildstatistisches Elementarwerk (Atlas of Society and Economy - Visual Charts of the Essential Empirical Data of the World) by Gerd Arntz and Otto Neurath, 1930

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Alice Creischer

**WIDERLEGUNG DER GESCHICHTE VON ANTEK PISTOLE, 2021**

**Solo Exhibition at Culturgest Lisbon, 2017**

**Proudhon, die Gesellschaft des 10. Dezember und der Club der faulen Debitoren, 2000-2015**

**In the Stomach of the Predators, 2012-2014**

**Das Etablissement der Tatsachen / The Establishment of Matters of Fact, 2012**

**Auf einmal und gleichzeitig. Eine Machbarkeitsstudie. Musikalische Szenen zur Negation von Arbeit, 2007**

**Apparat zum osmotischen Druckausgleich von Reichtum bei der Betrachtung von Armut / Apparatus for the Osmotic Compensation of the Pressure of Wealth during the Contemplation of Poverty, 2005-2007**

**Atlas 2003 ongoing (Updating the Arntz and Neurath Atlas) in collaboration with Andreas Siekmann**

**Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003**

**Feindesliebchen / The Enemy's Sweetheart, 2002**

**Episoden zur arbeitsbefreiten Gesellschaft / Episodes of a society free of work, 1996-2002**

**The Greatest Happiness Principle Party, 2001**

**L'Atelier de la peintrice / The Woman Painter's Atelier, 2000**

**Arbeitsplatzprojektionsmaschine, 1998-1999**

**Gruppe Gummi K - Wie Eins zum Andern Kam..., 1996**

Biography

Alice Creischer, born in Gerolstein in 1960, studied Philosophy, German literature and Visual Arts in Düsseldorf. As one of the key figures of German political art movements in the Nineties, Creischer contributed to a great amount of collective projects, publications, and exhibitions. Her artistic and theoretic agenda within institutional and economical critique has evolved over 20 years, more recently focusing on the early history of capitalism and globalization. As co-curator of such paradigmatic exhibitions like Messe 2ok (1995), ExArgentina (2004) and The Potosi Principle (2010), Creischer has developed a specific curatorial practice that correlates with her work as an artist and theorist, including her extensive practice in archive research. As author Creischer has contributed to many publications, magazines and fanzines. She has been awarded a few prizes throughout the years, most recently of the Günther-Peill-Stiftung (Düren, 2018). She has hold solo exhibitions at institutions such as Stadtgalerie Wedding, Berlin (2019), Culturgest, Lisbon (2017), ifa Galerie, Berlin (2013), MACBA, Barcelona (2008) and secession Vienna (2001). Her work has been shwon in group shows at Haus der Kulturen der Welt, Berlin (2022, 2021, 2019, 2017), Künstlerhaus Bethanien (2021), LWL Museum, Münster (2021), Gropius Bau, Berlin (2019), Van Abbe Museum, Eindhoven (2018), Museum der Moderne, Salzburg (2016), ludwig Forum aachen (2015) among others.

Full Biography

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