In the Stomach of the Predators, 2012-2014

Mixed media installation

The work cycle In the Stomach of the Predators was exhibited in Alice Creischer's second solo show of the same title at KOW in 2014.

Alice Creischer, In the Stomach of the Predators, 2012-2013, SD & HD Video, 16:9, color, sound, 22:23 minutes, edition of 5 + 1 AP

Alice Creischer, In the Stomach of the Predators, 2012-2014, Mixed media installation, dimensions variable (Installation view)

Alice Creischer, In the Stomach of the Predators, 2012-2014, Mixed media installation, dimensions variable (Detail)

Alice Creischer, 19.12.2013 (In the Stomach of the Predators, 2012-2014), printed curtain (Installation view)

Alice Creischer, In the Stomach of the Predators, 2012-2013, Video, Ed. of 5 + 1 AP (Installation view)

Alice Creischer, In the Stomach of the Predators, 2012-2013, Video, Ed. of 5 + 1 AP (film still)

Alice Creischer, In the Stomach of the Predators, 2012-2013, SD & HD Video, 16:9, color, sound, 22:23 minutes, edition of 5 + 1 AP (Still)

In the Stomach of the Predators

2012-2014, Mixed media installation, dimensions variable
2012-2014, Collages, watercolor on paper (5 parts)
2012-2013, SD & HD Video, 16:9, color, sound, 22:23 minutes, edition of 5 + 1 AP

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Alice Creischer

**WIDERLEGUNG DER GESCHICHTE VON ANTEK PISTOLE, 2021**

**Solo Exhibition at Culturgest Lisbon, 2017**

**Proudhon, die Gesellschaft des 10. Dezember und der Club der faulen Debitoren, 2000-2015**

**In the Stomach of the Predators, 2012-2014**

**Das Etablissement der Tatsachen / The Establishment of Matters of Fact, 2012**

**Auf einmal und gleichzeitig. Eine Machbarkeitsstudie. Musikalische Szenen zur Negation von Arbeit, 2007**

**Apparat zum osmotischen Druckausgleich von Reichtum bei der Betrachtung von Armut / Apparatus for the Osmotic Compensation of the Pressure of Wealth during the Contemplation of Poverty, 2005-2007**

**Atlas 2003 ongoing (Updating the Arntz and Neurath Atlas) in collaboration with Andreas Siekmann**

**Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003**

**Feindesliebchen / The Enemy's Sweetheart, 2002**

**Episoden zur arbeitsbefreiten Gesellschaft / Episodes of a society free of work, 1996-2002**

**The Greatest Happiness Principle Party, 2001**

**L'Atelier de la peintrice / The Woman Painter's Atelier, 2000**

**Arbeitsplatzprojektionsmaschine, 1998-1999**

**Gruppe Gummi K - Wie Eins zum Andern Kam..., 1996**

Biography

Alice Creischer, born in Gerolstein in 1960, studied Philosophy, German literature and Visual Arts in Düsseldorf. As one of the key figures of German political art movements in the Nineties, Creischer contributed to a great amount of collective projects, publications, and exhibitions. Her artistic and theoretic agenda within institutional and economical critique has evolved over 30 years, more recently focusing on the early history of capitalism and globalization. As co-curator of such paradigmatic exhibitions like Messe 2ok (1995), ExArgentina (2004) and The Potosi Principle (2010-), Creischer has developed a specific curatorial practice that correlates with her work as an artist and theorist, including her extensive practice in archive research. As author Creischer has contributed to many publications, magazines and fanzines. Her work has been shown in institutions and art spaces all over the world such as Haus der Kulturen der Welt, Berlin (2022, 2021, 2019, 2017), Kunstverein Heidelberg (2022), LWL Museum, Münster (2021), Gegenwartsmuseum, Basel (2020), Gropius Bau, Berlin (2019), Van Abbe Museum, Eindhoven (2018), Culturgest, Lisbon (2017), Museum der Moderne, Salzburg (2016), Ludwig Forum Aachen (2015), Documenta 12 (2009), Macba, Barcelona (2008), Secession (2002) amongst many others. She currently holds a professorship together with Andreas Siekmann at the Akademie der Bildenden Künste in Vienna.

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