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Für Philipp Tolziner, 2018

mixed media installation

Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac
Alice Creischer, Für Philipp Tolziner, 2018, mixed media installation, concrete, wood, drawings, textile, mugs, ​​​​​​​format variabel, foto: Ladislav Zajac

concrete, wood, drawings, textile, mugs
format variabel
fotos: Ladislav Zajac

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Alice Creischer

Alice Creischer, born in Gerolstein in 1960, studied Philosophy, German literature and Visual Arts in Düsseldorf. As one of the key figures of German political art movements in the Nineties, Creischer contributed to a great amount of collective projects, publications, and exhibitions. Her artistic and theoretic agenda within institutional and economical critique has evolved over 20 years, more recently focusing on the early history of capitalism and globalization. As co-curator of such paradigmatic exhibitions like Messe 2ok (1995), ExArgentina (2004) and The Potosi Principle (2010), Creischer has developed a specific curatorial practice that correlates with her work as an artist and theorist, including her extensive practice in archive research. As author Creischer has contributed to many publications, magazines and fanzines. She has been awarded a few prizes throughout the years, most recently of the Günther-Peill-Stiftung (Düren, 2018). She has hold solo exhibitions at institutions such as Stadtgalerie Wedding, Berlin (2019), Culturgest, Lisbon (2017), ifa Galerie, Berlin (2013), MACBA, Barcelona (2008) and secession Vienna (2001). Her work has been shwon in group shows at Haus der Kulturen der Welt, Berlin (2022, 2021, 2019, 2017), Künstlerhaus Bethanien (2021), LWL Museum, Münster (2021), Gropius Bau, Berlin (2019), Van Abbe Museum, Eindhoven (2018), Museum der Moderne, Salzburg (2016), ludwig Forum aachen (2015) among others.



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