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Untitled (Łódź, Warsaw, Narva), 2023

19 prints—intersecting and imbricated—unfurl as a linear reel. The motifs were captured in Poland and Estonia in 2022. The posing and light-dark compositions are reminiscent of The Fall, but the atmosphere seems to have changed. The war next door in Ukraine and the possible threat of a Russian attack, but also the political situation in the models’ own countries leave their mark on the pictures. Individual pictures, here, interweave, form a network, as situations overlap and elements interlock that are perhaps politically and emotionally interrelated, though they do not and cannot tell a single story. The situations, the people, are different. The overall state of affairs, however, is not.

Tobias Zielony, Untitled (Łódź, Warsaw, Narva), 2023, 19 inkjet prints, various dimensions, unique, installation view KOW 2023, photo: Ladislav Zajac
Tobias Zielony, Untitled (Łódź, Warsaw, Narva), 2023, 19 inkjet prints, various dimensions, unique, installation view KOW 2023, photo: Ladislav Zajac
Tobias Zielony, Untitled (Łódź, Warsaw, Narva), 2023, 19 inkjet prints, various dimensions, unique, installation view KOW 2023, photo: Ladislav Zajac
Tobias Zielony, Untitled (Łódź, Warsaw, Narva), 2023, 19 inkjet prints, various dimensions, unique, installation view KOW 2023, photo: Ladislav Zajac

19 inkjet prints
Various dimensions
Unique
Installation view KOW 2023, photos: Ladislav Zajac

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Tobias Zielony

Tobias Zielony is known for his photographic depictions of young people living on the fringes of affluent societies and social acceptance. For the past 20 years, Zielony has focused on suburban milieus that, from Canada to England, Ukraine, Israel, and Japan, have in common that they have fallen out of the promises of modernity's progress and are establishing a temporary life in their own cultural niches. What goes hand in hand with melancholy at the same time reveals a great human tenderness in the cohesion of precarious communities, which Zielony approaches and gives the space to stage themselves. In the process, Zielony's critical approach to documentary manifests itself in a specific aesthetic and relationship to fiction. His numerous institutional exhibitions include the German Pavilion in Venice 2015. Tobias Zielony is a professor in Hamburg since 2022.

Zielony´s work has been shown in many solo and group exhibitions recently such as Watching TV in Narva (KOW Berlin 2023), Dark Data (Marta Herford 2022) and Touch. Politiken der Berührung (EMOP Berlin, c/o Amtsalon 2023), Nach August Sander Menschen des 21. Jahrhunderts (Museum für Gegenwartskunst Siegen 2022).



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